Monday, August 31, 2009

w a, these 15 people are waiting to meet you :)

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w, meet these people now!

These people are waiting for you. Click on anyone you like...
Leila L.
Leila L.
Cheryl F., 25
Cheryl F., 25
Josy R., 22
Josy R., 22
Jessica S., 23
Jessica S., 23
Kristina P., 36
Kristina P., 36
Noemi M., 26
Noemi M., 26
Joy W.
Joy W.
Ryan B., 22
Ryan B., 22
Stephanie E.
Stephanie E.
Baby J., 20
Baby J., 20
Christina P., 22
Christina P., 22
Jacqueline G.
Jacqueline G.
Matt H., 21
Matt H., 21
Loretta T., 55
Loretta T., 55
Dammy H., 35
Dammy H., 35
View More »

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Saturday, August 29, 2009

[FireHeart Saga] 3.1.1.1. The Orcjob and the Oddjob Part 1



CHAPTER ONE
ORCBANE:
IN THE SHADE OF THE MOON

‘A monster is not judged by its size and ferociousness, but by the devastation it brought.’
- Sage the Fireheart
Founder, Fireheart Hunters’ Guild
First Emperor of Arcadia

An Oddjob and an Orcjob
A boy runs in a hurry along the narrow streets of Rand. He bumps into people and tramples mud puddles along the way, leaving

people cursing and yelling behind him – some even check their tunic to look whether the boy has stolen their purses or

anything valuable.

The streets are real crowded here in Rand – as the city in the kingdom of Lore becomes a center of economy and culture.

Thanks to the hunters and the hunters’ guild, the risk of monsters and bandits’ attacks has been lessened – at least less

than other major cities in Lore: Varestine, Wagnerport even the capital, Alceste. Merchants, caravans and travelers usually

hire hunters as escorts, unless, perhaps they are well-skilled, well-armed and can defend themselves or hire personal

bodyguards.

The boy ignores all the curses and yells upon him, and runs along several blocks until he enters a shabby-looking

tavern with a yellowish ram with the text ‘The Golden Ram’ badly carved on a signboard hanging in front. The Golden Ram is

the cheapest, shabbiest and dirtiest tavern-inn in Rand. The wine and ale there are bad, but it is always full of rowdy,

strange and suspicious people with their own strange, shady businesses – gambling, brawling, having fun with tavern maidens,

and even talking in low voices. Well, secret talks in loud voices can be made in here too, as it’s too loud there – rest

assured your talks won’t be heard by the neighbor at the next table.

The boy looks around desperately, and once in a while ducks to avoid flying objects like wooden mugs, stones –

fortunately no sharp ones, though. After a while, he finally notices someone and comes to a group of people gambling on a

corner. They are shouting in frustration or muttering things like ‘Damn, he won again!’ and all sorts of curses. One of them

– a man with silvery, unkempt hair - doesn’t yell, though and coolly extends his hands to collect the crowns (gold coins),

florins (silver coins) and zennies (bronze coins) on the table and pour them all into his purse. Although he apparently is

the winner, he doesn’t smile. He only stare cautiously around him, readies himself as though anticipating something bad. And

it happens. One of the gamblers, an ugly, fat, unshaven and badly dressed man gets up, bangs on the table and puts his one

foot on the chair, screaming.

‘You CHEATED! Bloody cheater!’

The two other gamblers are puzzled for a while, staring at him – but they instantly understand, and scream along

to support him.

‘Yeah! Winning seven times already! That’s impossible!’

‘Must be sumthin’ behind ‘ees hands!’

‘And he ain’t even smile all the time! Mus’ be afraid he’s gonna be found out!’

‘Thrash ‘im!’

‘Search him! Make him return our money!’

The cool silver-haired guy raises his face. He is handsome, although his face is sallow and looks somewhat

feminine, but his calm, serious and cautious behavior gives an air of someone who has endured great hardships, tragedies and

traumas. He always wears a leather breastplate in front of his shirt, and always ready with a kiliji (a curved long sword)

neatly hung inside its scabbard under his shabby blue hood and robe. The boy recognizes him perfectly at once, and is about

to call him, but the silver-haired man notices the boy and signals him to keep quiet and keep away.

‘Hey, won’ speak a word, eeh? No reveal your secret!?’

‘Maybe you will talk after we rearrange your pretty face!’

‘O’ you hungree? Wanna eat? Here, taste THIS!’

The bald man launches his knuckle sandwich towards the silver-haired man’s mouth, but the silver-haired man simply moves his

head aside with great reflexes and avoids the hit altogether. He gets up, and is ready for the next attack.

One thought comes into the silver-haired man’s mind:
Even if I speak, these stupid brutes won’t listen – they just want to rob my winnings. Well, it’s time to show them who I

really am, as Pear is already here…

To avoid revealing too much of him, the silver-haired man avoids most of the attacks using knuckles, knifes and a wooden

chair, and finally counterattacks, catching the bald man’s punch and kicks him straight on his jaw, sending him flying

backwards and falls crashing on the wall, knocking him out. The fat guy and the one-eyed scarface are astonished to see this

display of strength, but thinking that it was only a lucky strike they attack the silver-haired guy altogether. The

scarface’s attack misses, but the fat guy successfully hit the silver-haired guy’s shoulder as he is avoiding the scarface.

But the silver-haired man’s expression doesn’t even change in pain, instead he ducks and sweep-kicks the fat guy’s feet,

causing the fat guy to fall tumbling on the floor.

The one-eyed, badly-scarred man loses his guts and runs away at once.

The fat guy tries to get up although he is irritated with his friend’s cowardly behavior. But the silver-haired

man doesn’t waste time and instantly draws his kiliji (an Aurelian version of Katana Sword that looks like a long saber) and

points it directly to the fat guy’s throat. Then he finally speaks.

‘Get out now. I only kill monsters and bandits, unless you are one of them.’

The fat guy whimpers, ‘Ah, you’re a hunter?’

A tavern guest cuts in.

‘You’re new in town, heh? He’s a hell of a hunter, you know.’

The little boy named Pear speaks, ‘Mister Orcbane?’

The silver-haired man replies, ‘Sssh, I’ve told you many times, just call me Robert.’

‘Aw, it’s easier to remember you as Orcbane, as it is so frequently said at the guild.’

‘Ah, Pear, now you’ve done it.’

Robert the Orcbane then talks to the fat man with a threatening tone.

‘Well, what will it be now? Still want to rob my money?’

‘Your money WHAT? You must be cheated, I can tell’.

‘I didn’t cheat.’

‘Then how come you won seven times and only lost twice?’


--

Posted By Andry Chang to FireHeart Saga at 8/29/2009 05:10:00 PM

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Friday, August 28, 2009

[GetAmped Fansite - KICK ASS Inc.] Bomberman



"Boom shake shake shake the room! Tick, tick, tick tick BOOM!!"


Bomberman.skin


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--

Posted By vadis to GetAmped Fansite - KICK ASS Inc. at 8/28/2009 09:21:00 PM

[GetAmped Fansite - KICK ASS Inc.] Anime Skins Batch...? OhShucks!!




Caramelo


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Allen Walker from D.Grayman

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--

Posted By vadis to GetAmped Fansite - KICK ASS Inc. at 8/28/2009 09:50:00 PM

[VadisGames - Fully Loaded!] Andry Chang wants to keep up with youon Twitter

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Andry Chang wants to keep up with you on Twitter

To find out more about Twitter visit http://twitter.com/i/80e27aff407e6f0c10d640d69e4a9d03c02e78d3

Thanks,
— The Twitter Team

About Twitter

Twitter is a unique approach to communication and networking based on the simple concept of status. What are you doing? What are your friends doing—right now? With Twitter, you may answer this question over SMS or the Web and the responses are shared between contacts.

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Posted By Andry Chang to VadisGames - Fully Loaded! at 8/28/2009 09:21:00 PM

[vadisworld - my way, my world] Andry Chang wants to keep up withyou on Twitter

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Andry Chang wants to keep up with you on Twitter

To find out more about Twitter visit http://twitter.com/i/23382cd8a0a3a46d9760a68523dcaa3243f7f98d

Thanks,
— The Twitter Team

About Twitter

Twitter is a unique approach to communication and networking based on the simple concept of status. What are you doing? What are your friends doing—right now? With Twitter, you may answer this question over SMS or the Web and the responses are shared between contacts.

This message was sent by a Twitter user who entered your email address. If you'd prefer not to receive emails when other people invite you to Twitter you can opt-out

Please do not reply to this message; it was sent from an unmonitored email address. This message is a service email related to your use of Twitter. For general inquiries or to request support with your Twitter account, please visit us at Twitter Support.




--

Posted By Andry Chang to vadisworld - my way, my world at 8/28/2009 07:20:00 AM

[vadismart - the cybermall] Andry Chang wants to keep up with youon Twitter

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Andry Chang wants to keep up with you on Twitter

To find out more about Twitter visit http://twitter.com/i/73c1472b0bbc285041717ecd9867961eec333ba2

Thanks,
— The Twitter Team

About Twitter

Twitter is a unique approach to communication and networking based on the simple concept of status. What are you doing? What are your friends doing—right now? With Twitter, you may answer this question over SMS or the Web and the responses are shared between contacts.

This message was sent by a Twitter user who entered your email address. If you'd prefer not to receive emails when other people invite you to Twitter you can opt-out

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--

Posted By Andry Chang to vadismart - the cybermall at 8/28/2009 07:20:00 AM

[Riverstream Rhapsody] Andry Chang wants to keep up with you onTwitter

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Andry Chang wants to keep up with you on Twitter

To find out more about Twitter visit http://twitter.com/i/ae87d5a8a47268ce19d123d6402c46e00bad0f4d

Thanks,
— The Twitter Team

About Twitter

Twitter is a unique approach to communication and networking based on the simple concept of status. What are you doing? What are your friends doing—right now? With Twitter, you may answer this question over SMS or the Web and the responses are shared between contacts.

This message was sent by a Twitter user who entered your email address. If you'd prefer not to receive emails when other people invite you to Twitter you can opt-out

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Posted By Andry Chang to Riverstream Rhapsody at 8/28/2009 07:20:00 AM

Andry Chang wants to keep up with you on Twitter

Andry Chang wants to keep up with you on Twitter

To find out more about Twitter visit http://twitter.com/i/23382cd8a0a3a46d9760a68523dcaa3243f7f98d

Thanks,
— The Twitter Team

About Twitter

Twitter is a unique approach to communication and networking based on the simple concept of status. What are you doing? What are your friends doing—right now? With Twitter, you may answer this question over SMS or the Web and the responses are shared between contacts.

This message was sent by a Twitter user who entered your email address. If you'd prefer not to receive emails when other people invite you to Twitter you can opt-out

Please do not reply to this message; it was sent from an unmonitored email address. This message is a service email related to your use of Twitter. For general inquiries or to request support with your Twitter account, please visit us at Twitter Support.

Wednesday, August 26, 2009

[vadismart - the cybermall] Tas Rajutan Nenek

Nenek Granny sedang menyambut cucu-cucunya pulang dari sekolah. Mereka
adalah anak-anak muda - anak muda yang sangat cerdas dan sering menggoda
nenek mereka.


Kali ini, Tom mulai menggoda dia dengan berkata, "Nek, apakah nenek masih
pergi ke gereja pada hari minggu?"

"Tentu!"

"Apa yang nenek peroleh dari gereja? Apakah nenek bisa memberitahu kami
tentang Injil minggu lalu..?"

"Tidak, nenek sudah lupa. Nenek hanya ingat bahwa nenek menyukainya. "

"Lalu apa khotbah dari pastor?"

"Nenek tidak ingat. Nenek sudah semakin tua dan ingatan nenek melemah. Nenek
hanya ingat bahwa ia telah memberikan khotbah yang memberi kekuatan, Nenek
menyukai khotbah itu."

Tom menggoda, "Apa untungnya pergi ke gereja jika nenek tidakmendapatkan
sesuatu dariNya?"

Nenek itu terdiam oleh kata-kata itu dan ia duduk di sana termenung.
Dan anak-anak lain tampak menjadi malu.

Kemudian nenek itu berdiri dan keluar dari ruangan tempat mereka semua
duduk, dan berkata, "Anak-anak, ayo ikut nenek ke dapur."

Ketika mereka tiba di dapur, dia mengambil tas rajutan dan memberikannya
kepada Tom sambil berkata, "Bawalah ini ke mata air, dan isilah dengan air,
lalu bawa kemari!"

"Nenek, apa nenek tidak sedang melucu? Air didalam tas rajutan....! "Nek,
apa ini bukan lelucon?" tanya Tom.

"Tidak.., lakukanlah seperti yang kuperintahkan.Saya ingin memperlihatkan
kepadamu sesuatu."

Maka Tom berlari keluar dan dalam beberapa menit ia kembali dengan tas yang
bertetes-teskan .. "Lihat, nek," katanya. "Tidak ada air di dalamnya."

"Benar," katanya. "Tapi lihatlah betapa bersihnya tas itu sekarang.
Anak-anak, tidak pernah kamu ke gereja tanpa mendapatkan sesuatu yang baik,
meskipun kamu tidak mengetahuinya. "

Disclaimer: Sumber dari milis.


--

Posted By vadis to vadismart - the cybermall at 8/26/2009 04:16:00 AM

Monday, August 24, 2009

[FireHeart - Exploring Worlds of Fantasy] Knights of ApocalypseTrailer

http://www.youtube.com/watch?v=-kkLUkV-jhQ



Trailer from the manga comic Knights of Apocalypse
by Wind Rider Studio
www.windriderstudio.com

www.vanguard-zero.deviantart.com
www.youtube.com/windriderpro
www.facebook.com/isyun


--

Posted By Andry Chang to FireHeart - Exploring Worlds of Fantasy at 8/24/2009 06:53:00 PM

Saturday, August 22, 2009

[accell go.mobile] Book of the Ringtones 9: Oriental Rhapsody II

Se Mang – Faye Wong

3838*291887**(6)99686*594883(4)997**871*928(2)928597

(3)91#8(1)#1#81#2938496**86694*2#82#92#8(3)94#399

Ai Cai Si Yuen Cien – Chou Cie Lun / Jay Chou

088588555551*17**766958553355335(5)93823308858855551

*1227**1*96*871*97*866958669532218199

Xiang Sui – Nicholas Tze

78778(6)#97774#*597**3(6)781*8(7)**969282*17**1*8(7)**955

8(6)9978778(6)#97774#*597**3*(6)781*8(7)**9692822*197**698*8817**

(1)94#**8599

Yi Chou Nien – Alex Fong

581*2395*83*295**1*81215**319084856531*3(3)92825**1*23948329

5**1*817**1*2**9938851*7**2*19184195**843928199

Ni Hen Ai Wo – Leon Lai

5855*94338429085**8123432116908686546(5)9585435495

8391208187**1*232918199

Jiao Huan Wen Rou – Sammy Cheng

Nokia :

3*857778(1)*969(1)88(7)**659*(5)399388339453(2)928821352

(1)*938836**994*83284(2)8891)**1*299

Ericsson :

(6)(1)0(3)0(3)0(2)0**403020(1)0(1)0(6)5(6)**66(6)(6)#(1)0(6)(5)

5*55(5)(6)(1)0(5)(4)**6(2)**

Motorola V60 / V66 :

3300 4 22 22 220 111 22200 11 2000 111 2220 11 22 2 400 4 33 30

222000 1 20 11 222 33 400 2 333 3330 3000 1 40 2211 3 33300 4

33 30 33000

Sail – Kyoko Fukada

Nokia :

69781*18(7)9**6585699781*7**8(1)*9216**9781*187**965586999

Ericsson :

(6)**(7)(1)010(7)(6)55(6)**(7)(1)07(1)0(2)0(1)0(6)**(7)(1)010(7)(6)(5)

5(6)**

Motorola v60 / v66 : 1 2000 2200 11 222 2220 1 2200 2 40 4 2000 2200

11 222 1 220 11 22200 3 222 1 2000 22000 11 222 2220 2 4 40 2000

Ai Tao Ti – Bobo Chan

Nokia : 5886791* 1(6x)

82397**77581*990881882394316**1*96**8695908858886791* 1(6x)

82397**77581*9908818823943(1)18291669(5) 0382199

Ericsson :

56(7)(1)0(1)0(1)0(1)0(1)0(1)01020(3)0(7)(7)(7)5(1)0***1020(3)0(4)0

(3)0(1)0(6)(1)0**(6)(6)**(5)***

Pei Ai – Aaron Kwok

Nokia :

4*83259958854329908828834399088388216**994*884326(5)9585432

9908828834399088388216**9990888688871*7**91*8139(1)2817**1*99

Ericsson :

403020(5)0**50504030(2)0***203040(3)0***302010(6)4*4040302060(5)

0*50504030(2)0***203040(3)0***302010(6)*****6710(7)1010(3)0(1)0*20

107(1)0**

Tiao Shau – Sammy Cheng

1*7**1*6665#6(7)968523352232193816**797781*(7)*97875*239917***1*

66665#6(7)968523352232193816**797781*(7)*97875*2399

Lan Ni – Andy Hui

Nokia : 2*847**(1)*9187**1*37**6990886885*3(4)9483456**1*9328247**

(1)9187**137**6990886885*3(4)9483456**1*97**1*219

Ericsson : 20407(1)010307(6)***65030(4)040304056(1)0(3)02020407(1)

010710307(6)***65030(4)00506(1)0(7)(1)0(2)0(1)0**

Motorola v66 / v60 : 3 333 1 22 11 22200 440 222 1 22 11 222 33 1 22

2000 440 2 11 4 33 33300 440333 33 333 4 1 2 11 22200 33 30 3 333 1

22 11 22200 440 222 1 22 11 222 33 1 22 2000 440 2 11 4 33 333 44 333

33 333 41 2 11 22200 1 22 11 222 3 222000

Pu Pi Suo Kan Sie – Daniel Chou

Nokia :

5#86#72#*1#91#881#1#(7)**92#*#1#1#7**1881#1#(7)**92#*1#1#7**97887

7(6)#91#*7**76#91#*881#1#(7)**92#*1#1#7**91#*881#1#(7)**92#*

Ericsson :

(5)#(6)#(7)(2)#0(1)#0**1#01#01#0(7)*(2)#0(1)#0(1)#0(7)**1#01#01

#0(7)*(2)#0(1)#0(1)#0(7)**

Cen Cui Ai He Li

686665#6(7)908787(1)9*085**861*2349381192086**86665#6(7)90878767

3*91(6)**1*813(2)913**879699

Kou Ke – Maggie Chuan

1*87**649084843(2)4859483990880838671*90818(1)7**86977669081*87**

649084843(2)4859483990880685490848646*7**91*87**1*7**1*7**1*9

Xiang Sui – Nicholas Tze

78778(6)#97774#*597**3(6)781*8(7)**969282*17**1*8(7)**9558

(6)9978778(6)#97774#*597**3*(6)781*8(7)**9692822*197**698*881

7**(1)94#**8599

Mien Fei Se Ting – Cecillia Cheung

Nokia :

384348(4)9393843438(4)393822132214538(2)939938843438

(4)9393843439181999188849381192

Ericsson :

(3)(4)(3)(4)3(4)3**(4)(3)(4)0(4)(3)**(3)(2)(2)(1)(2)(2)(1)(5)3(2)(3)**

Sue Sen Sou Ce - Twins

Nokia :

3*82343390838234339083823433116**693*8(2)90838232129083823

4539086**81*6**56699

Ericsson :

3020304030(3)0*3020304030(3)0*30203040303010106(6)30(2)04*




--

Posted By Andry Chang to accell go.mobile at 8/22/2009 01:16:00 AM

[accell go.mobile] Ring-O-Moto! Classic & Gospel Edition



Cara Mengedit Ringtone Pada Motorola T190
(Bahasa Indonesia)
1. Tekan tombol ‘Menu’, lalu pilih menu ‘Audio Setting’.
2. Selanjutnya pilih ‘Edit Melody’, itu adalah menu terakhir dalam ‘Audio Setting’.
3. Lalu pilih salah satu ringtone yang akan diedit (misalnya EmptyRing1 atau EmptyRing2).
4. Akan terlihat baris-baris not balok. Coba kita isi dengan terlebih dahulu mengerti contoh rumus berikut ini.
5(7)# berarti tombol 5 ditekan (7) kali, naik setengah nada (#). Untuk lanjut ke nada berikut jangan lupa menekan tombol ‘bawah’.
Kode 5 di depan berarti jenis ketukan, terdiri dari :
1=1/32, 2=1/16, 3=1/8, 4=1/8+1/16, 5 =¼,
6=¼+1/8, 7=½, 8=½+¼, 9=1/1, 0=istirahat
Kode (7) menentukan nada, yang terdiri dari :
1=b2, 2=a2, 3=g2, 4=f2, 5=e2, 6=d2, 7=c2, 8=b1, 9=a1, 10=g1, 11=f1, 12=e1, 13=d1, 14=c1, 15=g3, 16=f3, 17=e3, 18=d3, 19=c3 (untuk 0: 1=1/32, 2=1/16, 3=1/8, 4=1/4, 5=1/2, 6=1/1)
5. Timebeat (Tempo) dari paling lambat sampai paling cepat adalah sebagai berikut : Lento, Medium, Allegro dan Presto.
6. Bilamana ada kesulitan dalam pemasukan rumus ringtone ini, silakan kirimkan e-mail ke accenterprise@yahoo.com untuk mendapatkan bantuan.





Sealed With A Kiss – Bobby Vinton (Presto)
3(9) 3(9) 3(7) 3(7) 3(5) 3(5) 8(6) 3(7) 3(8) 5(7) 8(9) 5(4) 3(4) 3(6) 5(3) 3(3) 3(6) 6(5) 3(5) 3(2) 3(3) 3(4) 3(5) 8(4) 3(3) 3(4) 5(5) 3(5) 3(6) 3(5) 3(7) 5(9) 0(5) 5(6) 3(7) 3(8) 8(9)

Where Have All The Flowers Gone? – Pete Seeger (Presto) 0(4) 3(3) 3(2) 6(3) 3(4) 5(5) 5(6) 7(7) 0(4) 7(19) 5(18) 3(1) 3(2) 3(2) 3(3) 7(3) 0(4) 3(3) 3(2) 6(3) 3(4) 5(5) 5(6) 5(7) 3(6) 5(5) 8(4) 5(4) 6(4) 3(5) 9(6) 0(4) 3(3) 3(2) 6(3) 3(4) 5(5) 5(6) 7(7) 5(19) 5(19) 5(18) 5(19) 3(1) 3(2) 3(2) 3(3) 7(3) 0(4) 5(2) 5(4) 5(6) 3(7) 3(5) 3(5) 3(3) 7(3) 0(4) 5(2) 5(4) 5(5) 8(6) 3(7) 3(8) 9(7)

Oh Carol – Neil Sedaka
(Presto) 3(3) 3(5) 5(5) 0(4) 0(6) 3(5) 3(4) 3(5) 3(6) 2(5) 2(6) 3(7) 8(7) 0(5) 3(5) 3(6) 3(7) 5(5) 3(6) 0(4) 0(6) 3(6) 3(7) 3(8) 3(7) 9(6) 0(5) 0(4) 3(3) 3(5) 5(5) 0(4) 0(6) 3(5) 3(4) 3(5) 3(6) 2(5) 2(6) 3(7) 8(7) 0(5) 3(5) 3(6) 3(7) 5(5) 3(6) 0(4) 0(6) 3(6) 3(7) 3(8) 3(6) 5(7)

Quiza’s, Quiza’s, Quiza’s (Presto)
3(12) 3(11)# 3(10)# 3(9) 3(8) 3(7) 6(9) 0(4) 5(9) 7(6) 3(6) 3(8) 3(6) 3(8) 3(7) 6(9) 0(4) 5(9) 7(6) 3(6) 3(8) 3(6) 3(8) 3(5) 6(7) 0(4) 0(3) 3(12) 5(7) 0(3) 3(9) 5(8) 0(3) 3(10)# 9(9)

Besame Mucho (Presto)
5(9) 3(9) 3(9) 9(9) 5(9) 5(8) 5(7) 7(5) 7(6) 8(6) 0(4)
5(6) 5(6) 5(6) 5(5) 5(5) 5(5) 5(4) 5(4) 5(4) 5(3)# 5(2) 5(1)
9(5) 8(5) 0(4) 9(2) 7(2) 5(3) 5(4) 7(5) 7(6) 8(6) 0(4)
5(2) 5(5) 5(7) 5(5) 5(7) 5(9) 5(7) 5(8) 5(9) 5(8) 5(7) 5(10)# 9(9) 8(9) 0(4)

Baby Elephant’s Walk – Henry Mancini (Presto)
4(7) 2(5) 3(3) 3(19) 3(17) 3(18) 3(19) 3(2) 3(4)# 3(3) 0(4) 0(5) 4(7) 2(5) 3(3) 3(19) 3(17) 3(18) 3(19) 3(2) 7(3) 6(3) 3(2) 7(6)# 6(6)# 3(2) 3(6)# 3(7) 0(4) 0(5)
4(7) 2(5) 3(3) 3(19) 3(17) 3(18) 3(19) 3(20 3(4)# 3(3) 0(4) 0(4) 0(3) 3(3) 5(18) 3(1) 3(3) 0(3) 3(3) 5(19) 5(19) 2(2)# 2(19) 2(1) 2(3) 3(4) 3(6)# 5(4)# 5(4)# 2(4) 2(4)# 2(4) 2(6)# 3(7) 3(10) 3(9)# 3(7) 0(4) 0(5)

Raindrops Keep Falling On My Head (Presto)
5(5) 4(5) 2(5) 4(4) 2(5) 4(6) 2(7) 5(5) 0(5) 5(10) 4(3) 2(3) 4(2) 2(3) 4(4) 2(5) 5(5) 5(4) 5(6) 5(7) 5(1) 0(4) 4(2) 2(3) 4(5) 2(8) 7(1) 7(2) 5(3) 4(3) 2(5) 4(4) 2(3) 4(4) 2(5) 5(3) 4(3) 2(5) 3(4) 6(3) 0(4) 5(7) 5(7) 5(6) 5(5)


Guantanamera (Presto)
5(2) 3(2) 3(2) 3(2) 6(2) 7(2) 0(3) 3(4) 3(2) 3(4) 5(3) 3(2) 3(5) 3(3) 6(3) 9(3) 5(5) 3(4) 3(3) 7(2) 7(3) 0(3) 3(2) 3(4) 3(6) 5(7) 3(7) 3(8) 7(9) 9(10)

One Way Ticket – Jack Keller (Presto)
5(9) 5(9) 3(10) 6(9) 5(9) 5(9) 3(10) 6(9) 5(6) 5(6) 3(7) 6(6) 5(6) 5(6) 3(7) 6(6) 5(8) 5(8) 3(9)# 6(8) 5(8) 5(8) 3(9)# 5(8) 2(7) 2(8) 7(9) 7(7) 6(8) 2(7) 2(8) 7(9)

Killing Me Softly – Fugees (Presto)
3(7) 3(7) 3(7) 5(7) 3(9) 3(12) 6(10) 8(11) 3(8) 3(8) 3(8) 5(8) 3(10) 3(13) 3(12) 8(12) 0(14) 3(12) 3(12) 3(12) 5(12) 3(9) 3(7) 5(8) 6(9) 3(6) 3(6) 3(9) 5(7) 6(8) 5(8) 3(10) 5(8) 6(9) 3(9) 3(9) 3(7) 5(9) 6(10) 5(10) 3(14) 5(10) 6(11) 3(11) 3(11) 3(11) 5(12) 6(13) 9(13) 3(13) 5(13) 3(13) 9(12)


Classic Christian Gospel Songs from "Nyanyikanlah Kidung Baru"

Morning Has Broken – Eleanor Farjeon (Gospel)
(Medium) 3(7) 3(5) 3(3) 6(19) 6(18) 3(1) 3(2) 3(3) 6(2) 6(3) 3(7) 3(6) 3(5) 6(3) 6(2) 3(3) 3(5) 3(7) 6(6) 6(6) 3(3) 3(5) 3(3) 6(19) 6(2) 3(3) 3(5) 3(7) 6(7) 6(6) 3(5) 3(6) 3(5) 6(3) 6(2) 3(6) 3(5) 3(6) 6(7) 6(7) (Nyanyikanlah Kidung Baru #42)

Come, Christians, Join To Sing – Christian Henry Bateman (Gospel) (Allegro/Medium)
7(7) 5(8) 5(7) 5(9) 5(7) 7(10) 5(5) 5(7) 5(4) 5(6) 5(7) 5(8) 7(7) (repeat) (7(5) 5(6) 5(5) 5(4) 5(5) 7(6) (repeat)) 7(7) 5(8) 5(7) 5(9) 5(7) 7(10) 5(5) 5(7) 5(4) 5(6) 5(7) 5(8) 7(7) (Nyanyikanlah Kidung Baru #1)

All Nature’s Works His Praise Declare – Henry Ware Jr. (Gospel) (Allegro/Presto)
5(10) 5(7) 5(7) 5(8) 5(9) 6(10) 3(9) 5(10) 5(10) 5(9) 5(6) 5(7) 5(8) 8(7) 5(10) 5(5) 5(6) 5(7) 5(8) 5(9) 8(10) 5(10) 5(8) 5(10) 5(7) 5(10) 5(6) 5(10) 5(5) 5(7) 5(4) 5(5) 5(6) 5(7) 7(7) 5(8) 5(10) 5(7) 5(7) 5(8) 5(9) 6(10) 3(9) 5(10) 5(10) 5(9) 5(6) 5(7) 5(8) 8(7) (Nyanyikanlah Kidung Baru #35)

Immortal, Invisible – Walter Charles Smith (Gospel) (Allegro/Medium) (Nyanyikanlah Kidung Baru #8)
5(7) 5(9) 5(11) 5(6) 5(8) 5(10) 5(7) 5(5) 5(5) 5(6) 5(7) 0(2)
5(7) 5(9) 5(11) 5(6) 5(8) 5(10) 5(7) 5(5) 5(5) 5(6) 5(7) 0(2)
5(7) 5(5) 5(5) 5(3) 5(5) 5(7) 5(7) 5(5) 5(5) 5(3) 5(6) 0(2)
5(7) 5(9) 5(11) 5(6) 5(8) 5(10) 5(7) 5(5) 5(5) 5(6) 5(7) 0(2)


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Posted By Andry Chang to accell go.mobile at 8/22/2009 01:28:00 AM

[accell go.mobile] Book of the Ringtones 13: Valentine's DayEdition

Can't Lose You - F4 (Ost. Meteor Garden II)

Nokia : 140 bpm

8g1 8c2 8d2 4e2 8d2 4d2 4e2 8c2 4f2 8e2 4e2 4f2

8c2 4d2 8c2 4c2 8d2 8e2 2e2 4- {8c2 8e2 4e2 3x}

4d2 4d2 8e2 8f2 2e2 4- 8c2 8d2 8c2 4f2 8g2 4e2 4d2

8g1 8c2 8d2 4e2 8d2 4d2 4e2 8c2 4f2 8e2 4e2 4f2

8c2 4d2 8c2 4c2 8d2 8e2 2e2 4- {8c2 8e2 4e2 3x}

4d2 4d2 8c2 8a1 4d2 4c2








Motorola T190 : Allegro/Presto

3(10) 3(7) 3(6) 5(5) 3(6) 5(6) 5(5) 3(7) 5(4) 3(5) 5(5) 5(4)

3(7) 5(6) 3(7) 5(7) 3(6) 3(5) 7(5) 0(4) {3(7) 3(5) 5(5) 3x}

5(6) 5(6) 3(5) 3(4) 7(5) 0(4) 3(7) 3(6) 3(7) 5(4) 3(3) 5(5)

5(6) 3(10) 3(7) 3(6) 5(5) 3(6) 5(6) 5(5) 3(7) 5(4) 3(5) 5(5)

5(4) 3(7) 5(6) 3(7) 5(7) 3(6) 3(5) 7(5) 0(4) {3(7) 3(5) 5(5)

3x} 5(6) 5(6) 3(7) 3(9) 5(6) 5(7)



Yo Te Amo - F4 (Ost. Meteor Garden II)

Nokia : 140 bpm or slower

8c2 8d2 8e2 4c2 8d2 8e2 4f2 8e2

16c2 16g1 16c2 16g1 8c2 8e2 8d2 8c2

8b1 8c2 8d2 4b1 8c2 8d2 4b1 8b1

16f2 16e2 16f2 16e2 8g2 8f2 8e2 8d2

8d2 8e2 8f2 8.d2 4.d2 16- 8c2 8d2 8e2 8.c2 4.c2 16-

8d2 8e2 8f2 4f2 8e2 8d2 8.d2 8.d2






Motorola T190 : Medium

3(7) 3(6) 3(5) 5(7) 3(6) 3(5) 5(4) 3(5)

2(7) 2(10) 2(7) 2(10) 3(7) 3(5) 3(6) 3(7)

3(8) 3(7) 3(6) 5(8) 3(7) 3(6) 5(8) 3(8)

2(4) 2(5) 2(4) 2(5) 3(3) 3(4) 3(5) 3(6)

3(6) 3(5) 3(4) 4(6) 6(6) 0(2) 3(7) 3(6) 3(5) 4(7) 6(7) 0(2) 3(6) 3(5) 3(4) 5(4) 3(4) 3(5) 3(6) 4(6) 4(6)



Feel (Real Love) - Robbie Williams

Nokia : 140 bpm

8a2 8a2 8b2 8a2 2c3 8- 4d3 4c3 8g2 8g2 8g2 8g2 8a2 4g2 2d2 4- 8- 8g2 8.f2 16e2 8d2 2f2 8- 8g2 8.f2 16e2 8d2 2e2 8- 8f2 8.e2 16e2 8d2 2d2 8-




Motorola T190 : Presto

3(2) 3(2) 3(1) 3(2) 7(19) 0(3) 5(18) 5(19) 3(3) 3(3) 3(3) 3(3) 3(2) 5(3) 7(6) 0(4) 0(3) 3(3) 4(4) 2(5) 3(6) 7(4) 0(3) 3(3) 4(4) 2(5) 3(6) 7(3) 0(3) 3(4) 4(5) 2(5) 3(6) 7(3) 0(3) 3(4) 4(5) 2(5) 3(6) 7(6) 0(3)



I Need A Girl - Craig David?

Nokia : 140 bpm

8- 8a2 8a2 8a2 2a2 16- 8c2 4.g2 4.c2 4.g2

8- 8a2 8g2 8g2 2g2 16- 8c2 4.g2 4.e2 4.f2

8- 8f2 8f2 8f2 2f2 16- 8c2 4.f2 4.g2 4.e2

8- 8e2 8e2 8e2 2e2 16- 8- 4.b2 4.g2 4.a2




Motorola T190 : Presto

0(3) 3(2) 3(2) 3(2) 7(2) 0(2) 3(7) 6(3) 6(7) 6(3)

0(3) 3(3) 3(3) 3(3) 7(3) 0(2) 3(7) 6(3) 6(5) 6(4)

0(3) 3(4) 3(4) 3(4) 7(4) 0(2) 3(7) 6(4) 6(3) 6(5)

0(3) 3(5) 3(5) 3(5) 7(5) 0(2) 6(1) 6(3) 6(2)



One Love - Blue

Nokia : 140 bpm

{ 4d2 4c2 4- 8- 8g1 8a1 8c2 8c2 8- 4c2 8- } 2x

4d2 4c2 4- 8- 8g1 8c2 8c2 8- 4d2 4- 4e2 4e2 4e2 4d2 8c2 4c2




Motorola T190 : Presto

{ 5(6) 5(7) 0(4) 0(3) 3(10) 3(9) 3(7) 3(7) 0(3) 5(7) 0(3) } 2x 5(6) 5(7) 0(4) 0(3) 3(10) 3(9) 3(7) 3(7) 0(3) 5(6) 0(4) 5(5) 5(5) 0(2) 3(5) 3(5) 5(6) 3(7) 5(7)



Rock DJ - Robbie Williams

Nokia : 140 bpm

8a1 8c2 8c2 8a1 2#d2 4- 8a1 8c2 16c2 16d2 2e2 4-

8c2 8d2 8e2 8g2 8a2 4d2 4.c2 8c2




Motorola T190 : Presto

3(9) 3(7) 3(7) 3(9) 7(6)# 0(4) 3(6) 3(7) 2(7) 2(6) 7(5) 0(4)

3(7) 3(6) 3(5) 3(3) 3(2) 5(6) 6(7) 3(7)



We Are The Champions - Robbie Williams / Queen

Nokia : 140 bpm

4g1 2c2 8b1 8c2 4b1 2g1 8e1 4a1 2g1 2-

4g1 2c1 8d2 8e2 4g2 2e2 8a1 8b1 2a1 2-

2a1 4.g1 8a1 2g1 2f1 2f2 4.e2 8f2 2e2 2d2

2e2 4.c2 8f2 2e2 4.c2 8f2 2#d2 4.c2 8f2

2#d2 2c2 2- 8#a1 8g1 2c2




Soundtrack from the movie "A Knight's Tale"

Motorola T190 : Presto

5(10) 7(7) 3(8) 3(7) 5(8) 7(10) 3(12) 5(9) 7(12) 0(5)

5(10) 7(7) 3(6) 3(5) 5(3) 7(5) 3(9) 3(8) 7(9) 0(5)

7(9) 6(10) 3(9) 7(10) 7(11) 7(4) 6(5) 3(4) 7(5) 7(6)

7(5) 6(7) 3(4) 7(5) 6(7) 3(4) 7(6)# 6(7) 3(4) 7(6)# 7(7)

0(4) 3(9)# 3(10) 7(7)



Liu Xing Yi - F4 (Motorola Version)

Version 1 : Do=c Motorola T190 : Lento

3(5) 2(6) 4(5) 3(3) 3(1) 2(19) 4(19) 3(18) 3(17) 2(16) 3(18) 3(17) 2(18) 5(19) 0(4) 3(2) 2(3) 4(2) 3(3) 3(2) 3(3) 2(7) 4(3) 8(5) 0(4) 3(5) 2(6) 4(5) 3(3) 3(1) 2(19) 4(19) 3(18) 3(17) 2(16) 3(18) 2(18) 2(17) 2(18) 5(19) 3(19) 3(1) 4(2) 4(18) 3(19) 3(19) 3(1) 2(2) 3(1) 8(19)






Version 2 : One Octave Down Motorola T190 : Lento

3(12) 2(11) 4(12) 3(10) 3(8) 2(7) 4(7) 3(6) 3(5) 2(4) 3(6) 3(5) 2(6) 5(7) 0(4) 3(9) 2(10) 4(9) 3(10) 3(9) 3(10) 2(14) 4(10) 8(12) 0(4) 3(12) 2(11) 4(12) 3(10) 3(8) 2(7) 4(7) 3(6) 3(5) 2(4) 3(6) 2(6) 2(5) 2(6) 5(7) 3(7) 3(8) 4(9) 4(6) 3(7) 3(7) 3(8) 2(9) 3(8) 8(7)



Extras :

Get The Party Started! - Pink

Nokia : 140 bpm

Chorus Accompaniment :

{4#a2 8a2 8g2 8#a2 8a2 8f2 2d2 4c2 4d2} repeat 1x








Motorola T190 : Presto

Chorus Accompaniment :

{5(2)# 3(2) 3(3) 3(2)# 3(2) 3(4) 7(6) 5(7) 5(6)} repeat 1x



Can't Touch This - Hammer

Nokia : 140 bpm

{4d3 8c3 8b2 8a2 8a1 8a1 8e2 8g2 8g1 8g1 8b2 8a2

8a1 8a1 8a1} repeat 1x








Motorola T190 : Presto

{5(18) 3(19) 3(1) 3(2) 3(9) 3(9) 3(5) 3(3) 3(10) 3(10) 3(1) 3(2) 3(9) 3(9) 3(9)} repeat 1x

A Pilgrim's March - composed by @ndry

Motorola T190 : Presto

Chorus :

5(7) 4(8) 2(9) 5(10) 3(10) 3(10) 3(9) 3(9) 3(8) 3(7) 3(10) 3(12) 3(14) 3(12) 3(13) 3(10) 3(10) 3(11) 3(12) 3(10) 7(7) 0(3) 3(9) 3(10) 3(10) 3(9) 3(8) 5(7) - last time chorus






Motorola T190 : Presto

Improvised Chorus :

3(7) 3(7) 2(6) 2(7) 2(8) 2(9) 3(10) 3(12) 3(12) 3(10) 3(10) 3(13) 3(13) 3(9) 3(9) 3(10) 3(10) 3(12)

3(7) 3(7) 2(6) 2(7) 2(8) 2(9) 3(10) 3(12) 3(12) 3(10) 3(10) 3(13) 3(13) 3(12) 5(14)


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Posted By Andry Chang to accell go.mobile at 8/22/2009 01:27:00 AM

[accell go.mobile] Ring-O-Moto! Arcadia Edition


Cara Mengedit Ringtone Pada Motorola T190
(Bahasa Indonesia)
1. Tekan tombol ‘Menu’, lalu pilih menu ‘Audio Setting’.
2. Selanjutnya pilih ‘Edit Melody’, itu adalah menu terakhir dalam ‘Audio Setting’.
3. Lalu pilih salah satu ringtone yang akan diedit (misalnya EmptyRing1 atau EmptyRing2).
4. Akan terlihat baris-baris not balok. Coba kita isi dengan terlebih dahulu mengerti contoh rumus berikut ini.
5(7)# berarti tombol 5 ditekan (7) kali, naik setengah nada (#). Untuk lanjut ke nada berikut jangan lupa menekan tombol ‘bawah’.
Kode 5 di depan berarti jenis ketukan, terdiri dari :
1=1/32, 2=1/16, 3=1/8, 4=1/8+1/16, 5 =¼,
6=¼+1/8, 7=½, 8=½+¼, 9=1/1, 0=istirahat
Kode (7) menentukan nada, yang terdiri dari :
1=b2, 2=a2, 3=g2, 4=f2, 5=e2, 6=d2, 7=c2, 8=b1, 9=a1, 10=g1, 11=f1, 12=e1, 13=d1, 14=c1, 15=g3, 16=f3, 17=e3, 18=d3, 19=c3 (untuk 0: 1=1/32, 2=1/16, 3=1/8, 4=1/4, 5=1/2, 6=1/1)
5. Timebeat (Tempo) dari paling lambat sampai paling cepat adalah sebagai berikut : Lento, Medium, Allegro dan Presto.
6. Bilamana ada kesulitan dalam pemasukan rumus ringtone ini, silakan kirimkan e-mail ke accenterprise@yahoo.com untuk mendapatkan bantuan.

The Best In Me - Blue (Presto)

3(10) 5(3) 5(5) 3(6) 5(7) 6(3)# 5(5) 3(6) 5(7) 6(1) 3(19) 5(1) 5(2) 5(5) 3(6) 7(7) 3(7) 3(6) 3(5) 5(5) 5(4) 9(6) 3(8) 3(7) 3(6) 3(6) 7(7)
Dilemma – Nellie Feat. Kelly Rowland (Presto)
3(7) 0(2) 3(5) 0(2) 3(7) 3(9) 0(2) 3(5) 0(2) 3(6) 0(5)
3(8) 3(7) 3(6) 0(2) 3(8) 3(10) 0(2) 3(6) 0(2) 3(7) 0(5)
3(7) 3(6) 3(5) 0(2) 3(7) 3(9) 0(2) 3(5) 0(2) 3(6) 0(5)
2(8) 2(7) 2(8) 2(7) 3(6) 0(2) 3(8) 3(10) 0(2) 3(6) 0(2) 3(7)
Asereje (The Ketchup Song) - Las Ketchup (Presto)
3(7) 3(7) 3(7) 3(7) 0(4) 5(7) 0(4) 3(7) 3(7) 0(4)
3(7) 3(6) 3(5) 3(6) 3(7) 3(7) 3(7) 3(7) {5(7) 4x}
3(7) 3(6) 3(5) 3(6) 3(7) {3(7) 7x} 3(8) 0(5)
3(8) 3(8) 3(8) 3(8) 0(4) 5(8) 0(4) 3(8) 3(8) 0(4)
3(8) 3(7) 3(6) 3(7) 3(8) 3(8) 3(8) 3(8) {5(8) 4x}
3(8) 3(7) 3(6) 3(7) 3(8) {3(8) 7x} 3(9) 0(5)
3(7) 3(8) 3(9) 3(9) 0(4) 5(9) 0(4) 3(9) 3(9) 0(4)
{3(9) 3(8) 3(7) 3(8) 3(9) 3(9) 3(9) 3(9) {5(9) 4x} *}
3(9) 3(8) 3(7) 3(8) 3(9) {3(9) 7x} 3(10)#
* This segment may not be inserted due to limited capacity
Theme From Beverly Hills Cop (Presto)
5(9) 5(7) 4(9) 2(9) 3(6) 3(9) 3(10) 5(9) 5(5) 4(9) 2(9) 3(4) 3(5) 3(7) 3(7) 3(5) 3(2) 3(9) 4(10) 2(10) 3(12) 3(8) 5(9)
Theme From Hawaii 5-0 (Presto)
3(12) 3(12) 3(10) 5(8) 7(9) 7(12) 0(4)
3(12) 3(12) 3(13) 5(10) 7(12) 0(5)
3(12) 3(12) 3(10) 5(8) 7(9) 7(5) 0(4)
3(6) 3(6) 3(10) 5(10) 7(5) 0(5)
6(5) 3(6) 3(7) 3(8) 3(9) 3(8) 3(10) 5(9) 0(5)
6(2) 3(3) 3(4) 3(5) 3(6) 3(7) 3(9) 5(8) 3(9) 5(10)
6(9) 7(5) 0(4) 3(6) 3(6) 3(8) 5(10) 7(9)
Die Another Day - Madonna (Presto)
3(2) 3(9) 3(19) 3(1) 3(9) 3(3) 3(9) 3(3) 3(10) 3(12)
3(1) 3(12) 3(1) 3(12) 3(2) 3(9)
3(2) 3(9) 3(19) 3(1) 3(9) 3(3) 3(9) 3(3) 3(10) 3(12)
3(1) 3(12) 3(1) 3(1) 3(12) 3(2) 3(9)
One Love - Blue (Presto)
{ 5(6) 5(7) 0(4) 0(3) 3(10) 3(9) 3(7) 3(7) 0(3) 5(7) 0(3) 2x }
5(6) 5(7) 0(4) 0(3) 3(10) 3(9) 3(7) 3(7) 0(3) 3(6) 0(4)
5(5) 5(5) 0(2) 3(5) 3(5) 5(6) 3(7) 5(7)
Hunter - Dido (Presto)
5(7) 5(8) 5(9) 3(7) 5(11) 3(13) 3(7) 7(7) 3(9) 3(7) 3(6) 3(7) 3(8) 5(9) 3(7) 5(11) 3(13) 3(7) 7(7) 3(9) 5(7) 5(6) 5(5) 3(7) 5(9) 3(11) 3(7) 7(7) 3(9) 5(7) 5(4) 7(5)

Saint Seiya (Presto)
3(9) 3(7) 3(5) 5(6) 3(8) 3(10) 5(11) 3(9) 3(7) 5(8) 3(10) 3(12) 0(3) 3(9) 3(7) 3(5) 5(6) 3(8) 3(10) 7(11) 5(11) 5(10)
3(9) 3(7) 3(5) 5(6) 3(8) 3(10) 5(11) 3(9) 3(7) 5(8) 3(10) 3(12) 0(3) 3(9) 3(7) 3(5) 5(6) 3(8) 3(10) 9(4)
Life Goes On – LeAnn Rimes (Presto)
8(3) 0(3) 3(4) 3(5) 5(6) 0(3) 3(6) 4(6) 2(6) 2(6) 3(5) 3(4) 5(5) 3(5) 3(6) 3(7) 0(3) 3(9) 3(7) 4(5) 2(6) 2(6) 2(6) 3(7) 5(7) 2(7) 2(7) 3(5) 3(6) 3(7) 0(3)


nside To Outside (Presto)
3(19) 0(3) 3(5) 0(3) 3(4) 3(3) 3(2) 3(1) 0(3) 3(6) 0(3)
3(6) 3(3) 3(2) 3(1) 3(19) 0(3) 3(2) 0(3) 3(4) 0(3)
3(3) 3(2) 3(19) 0(3) 3(1) 0(3) 3(2) 0(3) 3(3) 3(2)
PowerHouse Custom #1 (Presto)
3(2) 2(12) 2(12) 3(1) 2(12) 2(12) 3(3) 2(12) 2(12) 3(2) 3(1) 2(12) 2(12) 3(19) 2(12) 2(12) 3(18) 2(12) 2(12) 3(1) 3(19) 2(12) 2(12)
3(2) 2(11) 2(11) 3(1) 2(11) 2(11) 3(3) 2(11) 2(11) 3(2) 3(1) 2(11) 2(11) 3(19) 2(11) 2(11) 3(18) 2(11) 2(11) 3(1) 3(19) 2(11) 2(11)
3(3) 2(12) 2(12) 3(19) 2(12) 2(12) 3(3) 2(12) 2(12) 3(1) 3(19) 2(12) 2(12) 3(1) 2(12) 2(12) 3(18) 2(12) 2(12) 3(1) 3(19) 2(12) 2(12)
3(3) 2(13) 2(13) 3(1) 2(13) 2(13) 3(3) 2(13) 2(13) 3(2) 3(1) 2(13) 2(13) 3(19) 2(13) 2(13) 3(18) 2(13) 2(13) 3(1) 3(19) 2(13) 2(13)
Looking For Juliet – Vaness Wu (Presto)
2(9) 2(9) 2(9) 2(10) 3(9) 2(9) 2(10) 3(9) 3(10) 3(9) 0(3)
2(9) 2(9) 2(9) 2(9) 3(9) 3(6) 3(7) 0(4) 2(9) 2(9) 2(9) 2(10) 3(9) 2(9) 2(10) 3(9) 3(12) 0(3) 3(12) 5(5) 5(6) 5(7) 5(9) 0(3)
2(9) 2(9) 2(9) 2(10) 3(9) 2(9) 2(10) 3(9) 3(10) 3(9) 0(3)
3(9) 2(9) 2(9) 3(9) 3(6) 3(7) 0(4) 2(9) 2(9) 2(9) 2(10) 3(9) 2(9) 2(10) 3(9) 3(12) 3(10) 3(9) 4(5) 4(7) 4(

I
9)






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Posted By Andry Chang to accell go.mobile at 8/22/2009 01:33:00 AM

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