Yeah, just for my collection only. Wish I can get full details and range of the Transformers pics, though.
Friday, April 20, 2007
Transformers & Spider-Man 3!
Yeah, just for my collection only. Wish I can get full details and range of the Transformers pics, though.
Transformers
| Rating: | ★★★★ |
| Category: | Movies |
| Genre: | Animation |
Also Known As: Transformers: Prime Directive
Production Status: In Production/Awaiting Release
Genres: Action/Adventure, Science Fiction/Fantasy and Adaptation
Release Date: July 4th, 2007 (wide)
Distributors: di Bonaventura Pictures, Inc., Paramount Pictures
Production Co.: Angry Films, Hasbro, Inc.
Studios: DreamWorks SKG, Paramount Pictures
Filming Locations: Los Angeles, California USA
Produced in: United States
Spider-Man 3
| Rating: | ★★★★★ |
| Category: | Movies |
| Genre: | Action & Adventure |
Also Known As: Spider-Man III
Spiderman 3
Production Status: In Production/Awaiting Release
Genres: Action/Adventure, Science Fiction/Fantasy, Adaptation and Sequel
Release Date: May 4th, 2007 (wide)
MPAA Rating: PG-13 for sequences of intense action violence.
Distributors: Sony Pictures Releasing
Production Co.: Laura Ziskin Productions, Marvel Studios, Renaissance Pictures
Sony Pictures Imageworks, Inc.
Studios: Columbia Pictures
Filming Locations: Los Angeles, California USA
New York, New York USA
Produced in: United States
Tuesday, April 17, 2007
Thanks for subscribing to Nokia e-Newsletters!
Dear Andry
Thank you for your subscription(s) to the Nokia e-Newsletter(s).You will be expecting the first e-Newsletter in about a month's time.
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Life in Motion - Master the essential tips and tricks that will allow you to truly live the mobile life with your Nokia phone. >> http://www.nokia-asia.com/lifeinmotion
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Copyright (C) 2007 Nokia Corporation.
Read Legal Notice at http://www.nokia-asia.com/siteterms
Read Privacy Policy at http://www.nokia-asia.com/privacy
Thank you for your subscription(s) to the Nokia e-Newsletter(s).You will be expecting the first e-Newsletter in about a month's time.
You can also get the information and assistance you need on Nokia products from the following links:
1. Browse Nokia phones and find retail stores
Phone Gallery - Check out the wide range of Nokia phones that will cater for any mobile lifestyle and choose to receive notices on latest phones made available in your regions. >> http://www.nokia-asia.com/phones
Product Availability Notice - Get alerted when upcoming phone models are available for purchase in your country. >> http://www.nokia-asia.com/nokia/0,,82181,00.html?status=upcoming
Nokia Retail Store - Find a store near you to experience the full line of Nokia phones and accessories. >> http://www.nokia-asia.com/retailstore
2. Lead a mobile lifestyle
Life in Motion - Master the essential tips and tricks that will allow you to truly live the mobile life with your Nokia phone. >> http://www.nokia-asia.com/lifeinmotion
3. Get the support your phone needs
Phone software update - Update your phone software online to save yourself a trip down to the care center. >> http://www.nokia-asia.com/nokia/0,,96197,00.html
Download PC Suite - Transfer data, backup your contacts and even organize your music files with this integrated suite of applications. >> http://www.nokia-asia.com/pcsuite
Product Support - Get the support you need to help you make the most out of your Nokia product. >> http://www.nokia-asia.com/support
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Yours sincerely,
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Copyright (C) 2007 Nokia Corporation.
Read Legal Notice at http://www.nokia-asia.com/siteterms
Read Privacy Policy at http://www.nokia-asia.com/privacy
The Heart is A Lonely Hunter
Judul buku : The Heart is A Lonely Hunter
Penulis : Carson McCullers
Penerjemah : A.Rahartati Bambang Haryo
Penerbit : QanitaCetakan : I – Februari 2007
Tebal : 491 hlm
TATKALA MIMPI-MIMPI BERAKHIR SEPI
Pada mulanya adalah persahabatan dua orang bisu tuli, John Singer dan Spiros Antonapoulos. Mereka menempati satu kamar sewaan. John Singer, si Kurus, bekerja di sebuah toko perhiasan sebagai tukang gravir. Sedangkan si Gendut, Antonapoulos, bekerja di toko buah dan permen milik sepupunya. Meski Antonapuolos lebih sering tak peduli pada sahabatnya, kasih sayang John Singer kepadanya tak pernah berkurang. Bahkan pun setelah Antonapoulos dikirim ke rumah sakit jiwa oleh sepupunya, John tetap setia mengunjunginya secara berkala. Setelah kepergian sahabatnya, John dilanda kesepian yang sangat. Ia benar-benar kehilangan orang tedekat yang sangat dikasihinya, walaupun orang tersebut dalam kenyataannya tak pernah membalas kasihnya. Hanya makanan dan tidur saja yang menjadi perhatiannya. Sebuah persahabatan yang timpang sebetulnya. Ketika John Singer tak tahan lagi bersendiri di kamar yang biasa mereka tempati bersama itu, ia kemudian pindah menyewa sebuah kamar milik keluarga Kelly. Di sini ia bertemu orang-orang baru yang kelak menjadikannya teman curhat mendengarkan segala uneg-uneg mereka : Mick Kelly, Dr.Copeland, Biff Brannon, dan Jake Blount. Bagi mereka, John Singer adalah ‘pendengar’ yang baik. Ia ‘mendengarkan’ cerita-cerita mereka dengan cara membaca gerak bibir. Dari sinilah Carson McCullers membawa pembaca menelusuri jiwa-jiwa manusia yang kesepian. Karakter-karakter dalam novel yang ditulis ketika McCullers baru berusia 23 tahun ini – berarti pada tahun 1940 – adalah sejumlah karakter yang kesepian. Mick Kelly, anak perempuan pemilik penginapan yang disewa John ini, baru berusia 12 tahun. Ia tomboy, tidak memiliki banyak teman, tak akur dengan kakak-kakak perempuannya, dan diam-diam terobsesi menjadi pianis terkenal. Dalam kesendiriannya ia asyik memutar musik di kepalanya. Biff Brannon, pemilik New York Café, kedai makan kecil tempat John Singer dan orang-orang di kota itu ngopi dan kongkow-kongkow. Sejak kematian istrinya, lelaki baik hati ini betul-betul meras kesepian. Ia mendambakan kehadiran seorang anak dalam hidupnya. Dokter Copeland – lengkapnya Benedict Mady Copeland – adalah seorang kulit hitam yang berpendidikan dan berpikiran maju bagi masa depan anak-anaknya dan orang-orang Negro yang ketika itu mengalami perlakuan sangat diskriminatif, terutama di (Amerika Serikat bagian) Selatan. Ia bertekad memberikan pendidikan terbaik bagi putra-putranya. Namun, apa lacur, harapannya hancur. Tak satu pun dari ketiga orang putranya mewujudkan impiannya. Bahkan, si Bungsu Willie, sempat masuk bui lantaran terlibat perkelahian. Sedangkan putrid satu-satunya, Portia, hanya mampu ‘berkarier’ sebagai pelayan di rumah keluarga Kelly. Di hari tuanya, Dr.Copeland harus menerima kenyataan pahit : ditinggalkan anak-anaknya dan berjuang sendiri menentang perilaku rasis masyarakat dan pemerintah (kulit putih) negara bagian Georgia. Dan, Jake Blount. Sebenarnya ia seorang pendatang di kota itu. Pemabuk yang tak memiliki pekerjaan tetap ini adalah juga seorang penganut paham sosialis yang radikal. Ia, seperti halnya Dokter Copeland, menentang keras perbedaan kelas dan pengagum berat Karl Marx. Ia senantiasa merasa sendirian dalam ideologinya itu. Tadinya, saya menduga para karakter ini pada akhirnya akan dipertemukan dalam sebuah peristiwa. Atau setidaknya ada satu persoalan yang menautkan mereka. Tetapi, kiranya tidak demikian. Sampai di lembar penutup, tokoh-tokoh ini berjalan sendiri-sendiri. Hanya ada satu kesamaan : mereka makhluk-makhluk yang kesepian. Ya, ini novel klasik tentang orang-orang yang kesepian. Daya pikatnya, barangkali, ada pada narasi yang digarap secara amat detail, halus, cermat. Akibatnya, tempo cerita terasa lambat sehingga butuh perjuangan tersendiri menamatkannya. Bagi pembaca yang tak sabaran, bisa jadi malah membosankan. Mungkin, The Heart Is A Lonely Hunter ini bisa dikategorikan sebagai novel psikologis. Konfliknya internal, berupa pergulatan batin para tokohnya. Sesungguhnya, McCullers tak hanya bercerita tentang kesepian belaka. Secara halus ia juga menyampaikan persoalan rasialisme yang tengah marak di Selatan pada masa-masa itu. Disinggungnya pula ihwal kapitalisme yang menindas dan mengeksploitasi kelas pekerja (buruh). Problem sosial yang sangat khas Selatan : kemiskinan dan keterbelakangan. Bagi seorang yang terlahir sebagai kulit putih, McCullers memiliki kepekaan seorang humanis yang tinggi terhadap masalah-masalah sosial yang terjadi di lingkungannya pada masa itu. Gadis ini tak bisa hanya diam berpangkutangan dalam keprihatinannya. Maka kemudian, ia memilih bersuara lewat karya-karya prosanya. Film dengan judul yang sama berdasarkan novel ini telah dibuat pada 1968 dan mendapat nominasi untuk kategori pemeran utama pria dan pemeran pembantu wanita terbaik dalam ajang Oscar.
Endah Sulwesi 15/4
Kunjungi Friendster Qanita di http://www.friendster.com/profiles/qanitabooks
Penulis : Carson McCullers
Penerjemah : A.Rahartati Bambang Haryo
Penerbit : QanitaCetakan : I – Februari 2007
Tebal : 491 hlm
TATKALA MIMPI-MIMPI BERAKHIR SEPI
Pada mulanya adalah persahabatan dua orang bisu tuli, John Singer dan Spiros Antonapoulos. Mereka menempati satu kamar sewaan. John Singer, si Kurus, bekerja di sebuah toko perhiasan sebagai tukang gravir. Sedangkan si Gendut, Antonapoulos, bekerja di toko buah dan permen milik sepupunya. Meski Antonapuolos lebih sering tak peduli pada sahabatnya, kasih sayang John Singer kepadanya tak pernah berkurang. Bahkan pun setelah Antonapoulos dikirim ke rumah sakit jiwa oleh sepupunya, John tetap setia mengunjunginya secara berkala. Setelah kepergian sahabatnya, John dilanda kesepian yang sangat. Ia benar-benar kehilangan orang tedekat yang sangat dikasihinya, walaupun orang tersebut dalam kenyataannya tak pernah membalas kasihnya. Hanya makanan dan tidur saja yang menjadi perhatiannya. Sebuah persahabatan yang timpang sebetulnya. Ketika John Singer tak tahan lagi bersendiri di kamar yang biasa mereka tempati bersama itu, ia kemudian pindah menyewa sebuah kamar milik keluarga Kelly. Di sini ia bertemu orang-orang baru yang kelak menjadikannya teman curhat mendengarkan segala uneg-uneg mereka : Mick Kelly, Dr.Copeland, Biff Brannon, dan Jake Blount. Bagi mereka, John Singer adalah ‘pendengar’ yang baik. Ia ‘mendengarkan’ cerita-cerita mereka dengan cara membaca gerak bibir. Dari sinilah Carson McCullers membawa pembaca menelusuri jiwa-jiwa manusia yang kesepian. Karakter-karakter dalam novel yang ditulis ketika McCullers baru berusia 23 tahun ini – berarti pada tahun 1940 – adalah sejumlah karakter yang kesepian. Mick Kelly, anak perempuan pemilik penginapan yang disewa John ini, baru berusia 12 tahun. Ia tomboy, tidak memiliki banyak teman, tak akur dengan kakak-kakak perempuannya, dan diam-diam terobsesi menjadi pianis terkenal. Dalam kesendiriannya ia asyik memutar musik di kepalanya. Biff Brannon, pemilik New York Café, kedai makan kecil tempat John Singer dan orang-orang di kota itu ngopi dan kongkow-kongkow. Sejak kematian istrinya, lelaki baik hati ini betul-betul meras kesepian. Ia mendambakan kehadiran seorang anak dalam hidupnya. Dokter Copeland – lengkapnya Benedict Mady Copeland – adalah seorang kulit hitam yang berpendidikan dan berpikiran maju bagi masa depan anak-anaknya dan orang-orang Negro yang ketika itu mengalami perlakuan sangat diskriminatif, terutama di (Amerika Serikat bagian) Selatan. Ia bertekad memberikan pendidikan terbaik bagi putra-putranya. Namun, apa lacur, harapannya hancur. Tak satu pun dari ketiga orang putranya mewujudkan impiannya. Bahkan, si Bungsu Willie, sempat masuk bui lantaran terlibat perkelahian. Sedangkan putrid satu-satunya, Portia, hanya mampu ‘berkarier’ sebagai pelayan di rumah keluarga Kelly. Di hari tuanya, Dr.Copeland harus menerima kenyataan pahit : ditinggalkan anak-anaknya dan berjuang sendiri menentang perilaku rasis masyarakat dan pemerintah (kulit putih) negara bagian Georgia. Dan, Jake Blount. Sebenarnya ia seorang pendatang di kota itu. Pemabuk yang tak memiliki pekerjaan tetap ini adalah juga seorang penganut paham sosialis yang radikal. Ia, seperti halnya Dokter Copeland, menentang keras perbedaan kelas dan pengagum berat Karl Marx. Ia senantiasa merasa sendirian dalam ideologinya itu. Tadinya, saya menduga para karakter ini pada akhirnya akan dipertemukan dalam sebuah peristiwa. Atau setidaknya ada satu persoalan yang menautkan mereka. Tetapi, kiranya tidak demikian. Sampai di lembar penutup, tokoh-tokoh ini berjalan sendiri-sendiri. Hanya ada satu kesamaan : mereka makhluk-makhluk yang kesepian. Ya, ini novel klasik tentang orang-orang yang kesepian. Daya pikatnya, barangkali, ada pada narasi yang digarap secara amat detail, halus, cermat. Akibatnya, tempo cerita terasa lambat sehingga butuh perjuangan tersendiri menamatkannya. Bagi pembaca yang tak sabaran, bisa jadi malah membosankan. Mungkin, The Heart Is A Lonely Hunter ini bisa dikategorikan sebagai novel psikologis. Konfliknya internal, berupa pergulatan batin para tokohnya. Sesungguhnya, McCullers tak hanya bercerita tentang kesepian belaka. Secara halus ia juga menyampaikan persoalan rasialisme yang tengah marak di Selatan pada masa-masa itu. Disinggungnya pula ihwal kapitalisme yang menindas dan mengeksploitasi kelas pekerja (buruh). Problem sosial yang sangat khas Selatan : kemiskinan dan keterbelakangan. Bagi seorang yang terlahir sebagai kulit putih, McCullers memiliki kepekaan seorang humanis yang tinggi terhadap masalah-masalah sosial yang terjadi di lingkungannya pada masa itu. Gadis ini tak bisa hanya diam berpangkutangan dalam keprihatinannya. Maka kemudian, ia memilih bersuara lewat karya-karya prosanya. Film dengan judul yang sama berdasarkan novel ini telah dibuat pada 1968 dan mendapat nominasi untuk kategori pemeran utama pria dan pemeran pembantu wanita terbaik dalam ajang Oscar.
Endah Sulwesi 15/4
Kunjungi Friendster Qanita di http://www.friendster.com/profiles/qanitabooks
Saturday, April 14, 2007
[rosta masta!] Kompetisi Drakula
Ada 3 drakula, mereka bikin kompetisi siapa yang paling kejam dan sadis.
Drakula yang paling muda dapet kesempatan duluan.
Tiba-tiba dia lari secepat kilat, terus 2 menit udah balik lagi.
Mukanya penuh lumuran darah, seringainya serem.
Terus dia ngomong : "Lu pade liat Desa di seberang bukit itu ?"
Yang dua ngangguk, "Iya, liat"
"Desa itu .. habiissss !!!!"
Yang paling tua panas juga ... dia juga pergi sekelebat, terus 1 menit udah balik, mukanya juga penuh sama cucuran darah.
"Lu liat Kota yang itu ?", katanya sambil mukanya nunjukin kalo dia bangga bener.
"Iya, liat", yang dua ngangguk juga.
"Kota itu juga habiiissssss! !!", kata yang paling tua sambil ketawa serem, "ha ha ha hah ...".
Drakula yang satunya lagi tambah panas, dia juga pengen show off.
Akhirnya dia juga lari sekelebat... .
Temennya yang dua terperanjat, soalnya belum sampe setengah menit dianya udah balik, dengan penuh cucuran darah di mukanya … yang dua membatin, "Gila ni drakula, sangar amat, ternyata dia yang paling jago."
Sambil ngos-ngosan dia teriak, "Lu pade liat nggak Tiang Listrik dipas belokan sana ?"
"Iya ... liat! liat!", kata yang laen semangat ...
"Sialan, Gua kagak liat !!"
--
Posted By vadis to rosta masta! at 4/14/2007 05:01:00 AM
Drakula yang paling muda dapet kesempatan duluan.
Tiba-tiba dia lari secepat kilat, terus 2 menit udah balik lagi.
Mukanya penuh lumuran darah, seringainya serem.
Terus dia ngomong : "Lu pade liat Desa di seberang bukit itu ?"
Yang dua ngangguk, "Iya, liat"
"Desa itu .. habiissss !!!!"
Yang paling tua panas juga ... dia juga pergi sekelebat, terus 1 menit udah balik, mukanya juga penuh sama cucuran darah.
"Lu liat Kota yang itu ?", katanya sambil mukanya nunjukin kalo dia bangga bener.
"Iya, liat", yang dua ngangguk juga.
"Kota itu juga habiiissssss! !!", kata yang paling tua sambil ketawa serem, "ha ha ha hah ...".
Drakula yang satunya lagi tambah panas, dia juga pengen show off.
Akhirnya dia juga lari sekelebat... .
Temennya yang dua terperanjat, soalnya belum sampe setengah menit dianya udah balik, dengan penuh cucuran darah di mukanya … yang dua membatin, "Gila ni drakula, sangar amat, ternyata dia yang paling jago."
Sambil ngos-ngosan dia teriak, "Lu pade liat nggak Tiang Listrik dipas belokan sana ?"
"Iya ... liat! liat!", kata yang laen semangat ...
"Sialan, Gua kagak liat !!"
--
Posted By vadis to rosta masta! at 4/14/2007 05:01:00 AM
Monday, April 09, 2007
GodSigma - memento from my childhood!
Actually, I'm trying a dual post - on
flickr and multiply. See if Flickr accepts all my photos in one post.
flickr and multiply. See if Flickr accepts all my photos in one post.
Tee hee, I found my long unused toy (not entirely
broken, actually) my cousin gave me for my birthday.
broken, actually) my cousin gave me for my birthday.
And then I look again at my childhood photos and
see the good ol' Godsigma (Kuurai, Rikushin and (water - whatever) united with
wing and sword.
see the good ol' Godsigma (Kuurai, Rikushin and (water - whatever) united with
wing and sword.
That brought back lots of fond memories...
Andry Chang
Blog Jockey (BJ Vadis)
Blog Jockey (BJ Vadis)
Vadis Productions - Release Your
Imagination!
Imagination!
Vadis Portal Site : href="http://vadis.tk">http://vadis.tk
FireHeart NovelBlog : href="http://fireheart.tk">http://fireheart.tk
GetAmped KICK ASS Inc. :
href="http://kickassinc.blogspot.com">http://kickassinc.blogspot.com
Vadis
Main Site : href="http://vadis.multiply.com">http://vadis.multiply.com
FireHeart NovelBlog : href="http://fireheart.tk">http://fireheart.tk
GetAmped KICK ASS Inc. :
href="http://kickassinc.blogspot.com">http://kickassinc.blogspot.com
Vadis
Main Site : href="http://vadis.multiply.com">http://vadis.multiply.com
A Good Wedding Photo!
Example of a good wedding photo - Interesting and inspirating, though.
Andry Chang
Blog Jockey (BJ Vadis)
Vadis Productions - Release Your Imagination!
Vadis Portal Site : http://vadis.tk
FireHeart NovelBlog : http://fireheart.tk
GetAmped KICK ASS Inc. : http://kickassinc.blogspot.com
Vadis Main Site : http://vadis.multiply.com
Andry Chang
Blog Jockey (BJ Vadis)
Vadis Productions - Release Your Imagination!
Vadis Portal Site : http://vadis.tk
FireHeart NovelBlog : http://fireheart.tk
GetAmped KICK ASS Inc. : http://kickassinc.blogspot.com
Vadis Main Site : http://vadis.multiply.com
GodSigma - memento from my childhood!
Actually, I'm trying a dual post - on flickr and multiply. See if Flickr accepts all my photos in one post.
Tee hee, I found my long unused toy (not entirely broken, actually) my cousin gave me for my birthday.
And then I look again at my childhood photos and see the good ol' Godsigma (Kuurai, Rikushin and (water - whatever) united with wing and sword.
That brought back lots of fond memories...
Andry Chang
Blog Jockey (BJ Vadis)
Vadis Productions - Release Your Imagination!
Vadis Portal Site : http://vadis.tk
FireHeart NovelBlog : http://fireheart.tk
GetAmped KICK ASS Inc. : http://kickassinc.blogspot.com
Vadis Main Site : http://vadis.multiply.com
Tee hee, I found my long unused toy (not entirely broken, actually) my cousin gave me for my birthday.
And then I look again at my childhood photos and see the good ol' Godsigma (Kuurai, Rikushin and (water - whatever) united with wing and sword.
That brought back lots of fond memories...
Andry Chang
Blog Jockey (BJ Vadis)
Vadis Productions - Release Your Imagination!
Vadis Portal Site : http://vadis.tk
FireHeart NovelBlog : http://fireheart.tk
GetAmped KICK ASS Inc. : http://kickassinc.blogspot.com
Vadis Main Site : http://vadis.multiply.com
Sunday, April 08, 2007
Accell Go-Mobile Lifestyle is Go!
This is one of BJ Vadis' blogs, providing information and guides for foreigners and local Indonesians about mobile communication in Indonesia.
This includes:
- Information about cellphone operators in Indonesia today: Indosat, Telkomsel, XL, Mobile8, and the like.
- The new cellular phones, PDAs and gadgets in the market today, recommendations and featured favourites.
- Other information about mobile technology and interconnection-related technology.
This includes:
- Information about cellphone operators in Indonesia today: Indosat, Telkomsel, XL, Mobile8, and the like.
- The new cellular phones, PDAs and gadgets in the market today, recommendations and featured favourites.
- Other information about mobile technology and interconnection-related technology.
Thursday, April 05, 2007
vadisworld - my way, my world : My Endless Love
BJ Cell has sent you a link to a blog:
(a post copy from vadisworld.blogspot.com)
Blog: vadisworld - my way, my world
Post: My Endless Love
Link: http://vadisworld.blogspot.com/2007/03/my-endless-love.html
--
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(a post copy from vadisworld.blogspot.com)
Blog: vadisworld - my way, my world
Post: My Endless Love
Link: http://vadisworld.blogspot.com/2007/03/my-endless-love.html
--
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vadisworld - my way, my world : I am a Loner
BJ Cell has sent you a link to a blog:
(a post copy from vadisworld.blogspot.com)
Blog: vadisworld - my way, my world
Post: I am a Loner
Link: http://vadisworld.blogspot.com/2007/03/i-am-loner.html
--
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(a post copy from vadisworld.blogspot.com)
Blog: vadisworld - my way, my world
Post: I am a Loner
Link: http://vadisworld.blogspot.com/2007/03/i-am-loner.html
--
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vadisworld - my way, my world : Remembering You
BJ Cell has sent you a link to a blog:
(Post copy from vadisworld.blogspot.com)
Blog: vadisworld - my way, my world
Post: Remembering You
Link: http://vadisworld.blogspot.com/2007/03/remembering-you.html
--
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(Post copy from vadisworld.blogspot.com)
Blog: vadisworld - my way, my world
Post: Remembering You
Link: http://vadisworld.blogspot.com/2007/03/remembering-you.html
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Wednesday, April 04, 2007
[rosta masta!] Anthony Quinn
Source: http://movies.yahoo.com/movie/contributor/1800012616/bio
The tempestuous screen image of two-time Academy Award-winner and Renaissance man Anthony Quinn matches his much publicized unquenchable thirst for life. His exotic background has enabled him to play a potpourri of ethnicity, ranging from an Eskimo in "Savage Innocents" (1960) to a Russian pope in "Shoes of the Fisherman" (1968), as well as historical roles like Crazy Horse ("They Died with Their Boots On" 1942), Attila the Hun ("Attila" 1955), Paul Gaughin ("Lust for Life" 1956) and Kublai Khan ("Marco the Magnificent" 1966). The death of his Irish-Mexican father, who had ridden with Pancho Villa before settling in Los Angeles to work as a cameraman and prop man, forced the younger Quinn to help support his grandmother, mother and sister. In addition to working in a mattress factory, he played saxophone in evangelist Aimee Semple McPherson's orchestra and studied and worked with celebrated architect Frank Lloyd Wright, whose insistence that he go to an acting school to improve his speech ultimately led to a career in film.
Though he had acted on stage with Mae West in "Clean Beds" and spoken his first lines on film in "Parole" (both 1936), he made a lasting impression by standing up to Cecil B DeMille who had cast him as a Cheyenne Indian in "The Plainsman" (1937). As cast and crew looked on, Quinn responded to the most recent of a series of abusive outbursts from the director by telling him how he should shoot the scene and where he could put his $75 a day salary. After staring at the young actor for some time, DeMille announced, "The boy's right. We'll change the set-up," and later said admiringly, "It was one of the most auspicious beginnings for an actor I've ever seen." Quinn would act in two more movies ("The Buccaneer" 1938, "Union Pacific" 1939) for the directing legend, woo and marry his adopted daughter Katherine and helm the 1958 remake of "The Buccaneer", executive produced by DeMille (his last project before his death). By then, Quinn had shaken free of the son-in-law tag, having become a star in his own right, and has since exhibited tremendous staying power over the course of a career spanning seven decades, mixing inspired performances with good cured ham.
Quinn played his fair share of Indians amidst assorted heavies, even ending up with Bob Hope, Bing Crosby and Dorothy Lamour in two of the "road" movies ("Road to Singapore" 1940; "Road to Morocco" 1944), but despite many good notices for supporting roles in pictures like "Blood and Sand" (1941), "The Ox-Bow Incident" (1943) and "Back to Bataan" (1945), it would take a return to the stage to raise his stock higher. He made his Broadway debut in "The Gentleman from Athens" (1947) before director Elia Kazan tapped him as Stanley Kowalski for a US tour of "A Streetcar Named Desire" (1948-49), followed by a NYC run. Kazan then cast him as Marlon Brando's brother in "Viva Zapata" (1952), for which he earned his first Oscar as Best Supporting Actor. After making three films in 1953 with fellow "man's man" Budd Boetticher, Quinn traveled to Italy where he acted in pictures that included "La Strada" (1954) and "Attila", his performance in the former opening eyes back home in the USA to the enormity of his talent when it finally opened there in 1956. As director Federico Fellini's circus strongman who too late realizes his love for the woman once in his care, he played the brute American audiences knew, but he also revealed a bottomless well of emotion as he baptized himself in the water of a quiet beach and sobbed uncontrollably as if there were no end to his grief.
Quinn played an aging bullfighter opposite Maureen O'Hara in Boetticher's "The Magnificent Matador" (1955) and then won his second Best Supporting Actor Academy Award for his portrayal of larger-than-life artist Paul Gaughin in "Lust for Life", the title an apt description of his own zestfulness. Finally, after 20 years in the business, he had become a full-fledged box-office star, and the next year would see him garner a Best Actor Oscar nomination for his turn opposite Anna Magnani in "Wild Is the Wind", as well as following in the prestigious footsteps of Lon Chaney and Charles Laughton as Quasimodo in "The Hunchback of Notre Dame". Quinn was splendid in Nicholas Ray's "The Savage Innocents", hunting and fishing Eskimo-style (though audiences avoided the film) and gave one of his best performances in "Requiem for a Heavyweight" (1962) as Mountain Rivera, the boxer who sacrifices his last ounce of self-respect to enter the professional wrestling ring, wearing an Indian war bonnet and waving a tomahawk in order to save his manager's life. He was also a standout as the opportunistic Bedouin Auda Abu Tayi in David Lean's "Lawrence of Arabia" (also 1962).
Although Quinn had portrayed with distinction Greek patriot Colonel Andrea Stavros in "The Guns of Navarone" (1961), that character paled before what would become his signature role. The very embodiment of the actor's passion for living, "Zorba the Greek" (1964) was a wise and aging peasant, totally committed to life, no matter the outcome. From his slapstick pursuit of aging French courtesan (Oscar-winner Lila Kedrova) to the pathos of cradling her as she died in his arms, Quinn pulled out all the emotional stops on his way to another Best Actor Oscar nomination. Nearly 20 years later, he reprised "Zorba!", this time in a 1983 revival of the Broadway musical which reunited him with both Kedrova and the film's writer-director Michael Cacoyannis. He earned a Tony nomination for his efforts before touring the USA from 1983-86, forever stamping the part as his in the minds of the theatergoing public. Pity the poor thespian toiling as Zorba in regional theater somewhere, the incredibly long shadow of Quinn haunting his every move. Pray that his audiences have never seen the movie, or have very poor memories, or at the very least are extremely forgiving.
Quinn's United Nations tour rolled on with roles as an Algerian peasant ("The Lost Command" 1966), a boozy Italian mayor ("The Secret of Santa Vittoria" 1969), and an outcast Indian ("Flap" 1970), among others, before he dabbled in series TV as the star of "The Man and the City" (ABC, 1971-72), playing the ruggedly independent mayor of a city in the Southwest. He weighed in with his Aristotle Onassis impersonation in "The Greek Tycoon" (1978) and later portrayed the shipping magnate's father in "The Richest Man in the World: The Aristotle Onassis Story" (ABC, 1988), for which he received an Emmy nomination. Few were the roles, however, that did justice to his overwhelming, mystic life force, and perhaps that's why he resorted to the otherworldly, assuming the guise of Zeus in five syndicated "Legends of Hercules" action-adventure movies in 1994.
Also Credited As:
Anthony Rudolph Oaxaca Quinn
Born:
on 04/21/1915 in Chihuahua, Mexico
Died:
03-JUN-01.
Job Titles:
Actor, Artist, Boxer, Director, Musician, Producer, Writer, Cement worker, Foreman (in a mattress factory), Fruit picker, Taxi driver
Family
Sister: Stella Quinn.
Son: Alex Quinn. mother is German woman with whom Quinn was involved; woman is also mother of Sean Quinn
Significant Others
Companion: . involved with a French woman with whom he had a son
Companion: . involved with a German woman with whom he had two sons, Alex and Sean
Wife: Iolanda Addolori. Italian; married in January 1966; met when she worked as a wardrobe asistant on the film "Barabbas" (1961), starring Quinn; separated in February 1995; reached settlement in their divorce in August 1997
Wife: Katherine Benvin. born c. 1962; mother of Antonia and Ryan Quinn; married on December 7, 1997 in Naples, Florida; resided with Quinn and their children in Bristol, Rhode Island
Education
Polytechnic High School, Los Angeles, California
Milestones
1936 Appeared as an extra in Leo McCarey's "The Milky Way", starring Harold Lloyd
1936 Feature acting debut, "Parole"
1936 Spoofed John Barrymore in stage production, "Clean Beds", starring Mae West
1937 First film with future father-in-law director Cecil DeMille, "The Plainsman"; played a Cheyenne Indian
1938 Played Beluche in DeMille's "The Buccaneer"
1939 Last association with DeMille as director, "Union Pacific"
1940 Cast as a heavy in first "road" movie, "The Road to Singapore", with Bob Hope, Bing Crosby and Dorothy Lamour
1941 Acted the part of Crazy Horse in Raoul Walsh's "They Died With Their Boots On", one of three films with that director
1941 First association with Budd Boetticher (who served as assistant director), "Blood and Sand"
1942 Reteamed with Hope, Crosby and Lamour for "The Road to Morocco"
1943 First film with director William Wellman, "The Ox-Bow Incident"
1944 Another turn as an Indian (Yellow Hand) in Wellman's "Buffalo Bill"
1945 Second-in-command (and of Filipino descent) to John Wayne in Edward Dmytryk's "Back to Bataan", third of four films with Dmytryk
1947 Broadway debut, "The Gentleman from Athens"
1948 Headlined a national tour of "A Streetcar Named Desire", playing Stanley Kowalski opposite Uta Hagen
1950 Assumed role of Stanley in Broadway production of "A Streetcar Named Desire"
1952 Won first Best Supporting Actor Oscar for "Viva Zapata!"
1953 Acted in three movies directed by Boetticher: "City Beneath the Sea", "Seminole" and "East of Sumatra"
1954 Played brutish strongman in Federico Fellini's "La Strada" (released in USA in 1956)
1955 First film opposite Sophia Loren, "Attila" (released in USA 1958)
1955 Reteamed with Boetticher as star of the "The Magnificent Matador"; fifth film with Maureen O'Hara but first starring opposite her
1956 Portrayed Paul Gaughin in "Lust for Life", snagging second Best Supporting Actor Academy Award
1957 Nominated for Best Actor Oscar for George Cukor's "Wild Is the Wind"; starred opposite Anna Magnani
1957 Played Quasimodo in the remake of "The Hunchback of Notre Dame"
1958 Directed first (and only) feature, the remake of "The Buccaneer", executive produced by DeMille
1959 Starred opposite Loren in "The Black Orchid"
1960 Gave remarkable performance as a native Eskimo in Nicholas Ray's "Savage Innocents"
1960 Returned to Broadway as Henry II in "Beckett"; later switched roles with Laurence Olivier, taking over the cleric's role; earned a Tony nomination for his efforts
1960 Third film with Loren, Cukor's "Heller in Pink Tights"
1961 First film with director J Lee Thompson, "The Guns of Navaronne", playing tough Greek patriot Colonel Andrea Stavros
1962 Acted the part of a used-up boxer in "Requiem for a Heavyweight"
1962 Portrayed opportunistic Bedouin Auda Abu Tayi in David Lean's "Lawrence of Arabia"
1962 Starred as "Barabbas"
1964 Associate produced (also acted in to considerable acclaim) first feature, "Zorba the Greek"; garnered an Oscar nomination as Best Actor; first film with Lila Kedrova
1965 Acted again with Kedrova in "A High Wind in Jamaica"
1966 Starred in Mark Robson's "Lost Command"
1968 Played Russian Pope Kiril Lakota in "The Shoes of the Fisherman", adapted form the Morris West novel; Olivier co-starred as fellow Russian, Premier Kamanev
1969 Acted with Magnani in Stanley Kramer's "The Secret of Santa Vittoria"
1969 Fourth of six movies with Irene Papas, "A Dream of Kings", starring as robust man trying to find money to take his ailing son to Greece
1970 Portrayed Indian outcast in Carol Reed's "Flap"
1971 Narrated Boetticher's documentary "Arruza"
1972 Executive produced first feature, "Across 110th Street" (also acted)
1977 Miniseries acting debut, "Franco Zefferelli's "Jesus of Nazareth" (NBC)
1978 Acted the part of Theo Tomasis (a thinly disguised Aristotle Onassis) in Thompson's "The Greek Tycoon"
1979 Reteamed a third time with Thompson as Basque guide of "The Passage"
1981 Again portrayed a Bedouin, this time battling Mussolini in "Lion of the Desert", sixth and last film with Papas
1982 First of eight major exhibitions of artwork (in Hawaii; included serigraphs, oil paintings and sculptures)
1983 Starred on Broadway in the stage musical "Zorba!", reuniting with Kedrova and the 1964 film's director Michael Cacoyannis
1985 Played himself in "Ingrid"
1988 Earned an Emmy nomination for "The Richest Man in the World: The Story of Aristotle Onassis"
1989 Starred as Antonio Stradavarius in "Stradivari", a family affair featuring sons Francesco, Danny and Larry
1990 Portrayed Santiago in NBC movie remake of "The Old Man and the Sea", based on the novel by Ernest Hemingway; children Valentina and Francesco also featured
1990 Profiled by Cinemax's "Crazy About the Movies" TV documentary series
1991 Acted opposite O'Hara in "Only the Lonely"
1991 Third film with Kedrova, "A Star for Two"
1994 Played Zeus in five syndicated "The Legendary Journeys of Hercules" action adventure movies (i.e., "Hercules in the Underworld", "Hercules and the Lost Kingdom")
1995 Portrayed gregarious patriarch Don Pedro in "A Walk in the Clouds"
1996 Appeared as 'Mr. Neil' Dellacroce in HBO's "Gotti"
As a teenager, played saxaphone in evangelist Aimee Semple McPherson's orchestra
Final screen appearance in "Avenging Angelo" (lensed 2001); released posthumously
Forced to support mother, grandmother and sister at age 11
Hosted episodes of "American Playwrights Theater" (A&E) series, starting with "The Rope"
Made TV acting debut performing on series such as "Ford Theater Hour" and "Philco TV Playhouse"
Spirited across the border to El Paso, Texas during the Pancho Villa revolution
Starred as the ruggedly independent mayor of a fast-growing city in the Southwest (filmed in Albuquerque, New Mexico) in "The Man and the City" (ABC)
Toured US cities as "Zorba!"
Was a featured performer on CBS dramatic anthology series "Danger"
While father was employed by Selig studios, almost thrust before the cameras at an early age but ran a fever, and the part instead went to a cousin
Filmography
Source : http://movies.yahoo.com/movie/contributor/1800012616/filmography
Actor Credits
Avenging Angelo (2002)
Fellini (2001)
Himself
From Russia to Hollywood: The 100-Year Odyssey of Chekhov and Shdanoff (1999)
Oriundi (1999)
Giuseppe Padovani
Gotti (1996)
"Mr Neil" Dellacroce
Il Sindaco (1996)
Antonio Barracano
Seven Servants (1996)
Old Man Archie
Somebody to Love (1996)
Emilio
A Walk in the Clouds (1995)
Don Pedro Aragon
The Last Action Hero (1993)
Tony Vivaldi
Jungle Fever (1991)
Lou Carbone
Mobsters (1991)
Don Masseria
Only the Lonely (1991)
Nick
A Star For Two (1991)
Ghosts Can't Do It (1990)
Scott
Revenge (1990)
Tibey
Stradivari (1989)
Antonio Stradivarius
A Man of Passion (1989)
Mauricio
Onassis - The Richest Man in the World (1988)
Ingrid (1985)
Himself
Regina (1983)
The Salamander (1983)
Bruno Manzini
Valentina (1982)
Mosen Joaquin
High Risk (1981)
Mariano
Lion of the Desert (1981)
Omar Mukhtar
The Passage (1979)
Basque
Caravans (1978)
Zulfigar
Los Hijos De Sanchez (1978)
The Children of Sanchez (1978)
Sanchez
The Con Artists (1978)
The Greek Tycoon (1978)
Theo Tomasis
Fatal Assassin (1976)
Target of an Assassin (1976)
The Inheritance (1976)
Gregorio Ferramonti
The Mohammad Messenger of God (1976)
Hamza
The Destructors (1974)
Steve Ventura
Deaf Smith and Johnny Ears (1973)
Erastus "Deaf" Smith
The Don Is Dead (1973)
Don Angelo
Across 110th Street (1972)
Captain Frank Mattelli
Arruza (1971)
The Rover (1971)
Peyrol
Flap (1970)
R.P.M. (1970)
Perez
A Walk in the Spring Rain (1970)
Will Cade
A Dream of Kings (1969)
Matsoukas
The Secret of Santa Vittoria (1969)
Italo Bombolini
Guns For San Sebastian (1968)
Alastray
The Magus (1968)
Maurice Conchis
The Shoes of the Fisherman (1968)
Pope Kiril Lakota
The Happening (1967)
Roc Delmonico
The Rover (1967)
The Lost Command (1966)
Colonel Pierre Raspeguy
Marco the Magnificent (1965)
Kublai Khan
A High Wind in Jamaica (1965)
Juan Chavez
Alive and Kicking (1964)
Villager
Behold a Pale Horse (1964)
Captain Vinolas
Zorba the Greek (1964)
Alexis Zorba
The Visit (1964)
Serge Miller
Barabbas (1962)
Barabbas
Lawrence of Arabia (1962)
Auda Abu Tayi
Requiem For a Heavyweight (1962)
Mountain Rivera
The Guns of Navarone (1961)
Andrea
The Savage Innocents (1961)
Inuk
Circle of Deception (1960)
Heller in Pink Tights (1960)
Tom Healy
Portrait in Black (1960)
Dr David Rivera
R.P.M. (1960)
Last Train From Gun Hill (1959)
Craig Belden
Warlock (1959)
Tom Morgan
The Black Orchid (1959)
Frank Valente
Attila (1958)
Attila the Hun
Hot Spell (1958)
Jack Duval
Wild Is the Wind (1957)
Gino
The Hunchback of Notre Dame (1957)
Quasimodo
The Ride Back (1957)
Kallen
The Rising of the Moon (1957)
Station Master
The River's Edge (1957)
Ben Cameron
Donne Proibite (1956)
La Strada (1956)
La Strada (1956)
Zampano
La Strada Special LV Edition (1956)
Lust for Life (1956)
Paul Gauguin
Man From Del Rio (1956)
The Last Man to Hang (1956)
The Wild Party (1956)
Seven Cities of Gold (1955)
Captain Portola
Ulysses (1955)
Antinous
The Beachcomber (1955)
Ship's Captain
The Magnificent Matador (1955)
Luis Santos
The Naked Street (1955)
Phil Regal
The Long Wait (1954)
Johnny McBride
Blowing Wild (1953)
Paco
City Beneath the Sea (1953)
Tony Bartlett
East of Sumatra (1953)
Kiang
Ride, Vaquero (1953)
Seminole (1953)
Osceola
The Switch (1938)
Blood and Sand (1922)
African Rage
Back to Top
Director Credits
The Buccaneer (1958)
Director
Back to Top
Producer Credits
Mystique (1981)
Executive Producer
Across 110th Street (1972)
Executive Producer
Zorba the Greek (1964)
Associate Producer
The Visit (1964)
Producer
Back to Top
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Posted By vadis to rosta masta! at 4/03/2007 10:59:00 PM
The tempestuous screen image of two-time Academy Award-winner and Renaissance man Anthony Quinn matches his much publicized unquenchable thirst for life. His exotic background has enabled him to play a potpourri of ethnicity, ranging from an Eskimo in "Savage Innocents" (1960) to a Russian pope in "Shoes of the Fisherman" (1968), as well as historical roles like Crazy Horse ("They Died with Their Boots On" 1942), Attila the Hun ("Attila" 1955), Paul Gaughin ("Lust for Life" 1956) and Kublai Khan ("Marco the Magnificent" 1966). The death of his Irish-Mexican father, who had ridden with Pancho Villa before settling in Los Angeles to work as a cameraman and prop man, forced the younger Quinn to help support his grandmother, mother and sister. In addition to working in a mattress factory, he played saxophone in evangelist Aimee Semple McPherson's orchestra and studied and worked with celebrated architect Frank Lloyd Wright, whose insistence that he go to an acting school to improve his speech ultimately led to a career in film.
Though he had acted on stage with Mae West in "Clean Beds" and spoken his first lines on film in "Parole" (both 1936), he made a lasting impression by standing up to Cecil B DeMille who had cast him as a Cheyenne Indian in "The Plainsman" (1937). As cast and crew looked on, Quinn responded to the most recent of a series of abusive outbursts from the director by telling him how he should shoot the scene and where he could put his $75 a day salary. After staring at the young actor for some time, DeMille announced, "The boy's right. We'll change the set-up," and later said admiringly, "It was one of the most auspicious beginnings for an actor I've ever seen." Quinn would act in two more movies ("The Buccaneer" 1938, "Union Pacific" 1939) for the directing legend, woo and marry his adopted daughter Katherine and helm the 1958 remake of "The Buccaneer", executive produced by DeMille (his last project before his death). By then, Quinn had shaken free of the son-in-law tag, having become a star in his own right, and has since exhibited tremendous staying power over the course of a career spanning seven decades, mixing inspired performances with good cured ham.
Quinn played his fair share of Indians amidst assorted heavies, even ending up with Bob Hope, Bing Crosby and Dorothy Lamour in two of the "road" movies ("Road to Singapore" 1940; "Road to Morocco" 1944), but despite many good notices for supporting roles in pictures like "Blood and Sand" (1941), "The Ox-Bow Incident" (1943) and "Back to Bataan" (1945), it would take a return to the stage to raise his stock higher. He made his Broadway debut in "The Gentleman from Athens" (1947) before director Elia Kazan tapped him as Stanley Kowalski for a US tour of "A Streetcar Named Desire" (1948-49), followed by a NYC run. Kazan then cast him as Marlon Brando's brother in "Viva Zapata" (1952), for which he earned his first Oscar as Best Supporting Actor. After making three films in 1953 with fellow "man's man" Budd Boetticher, Quinn traveled to Italy where he acted in pictures that included "La Strada" (1954) and "Attila", his performance in the former opening eyes back home in the USA to the enormity of his talent when it finally opened there in 1956. As director Federico Fellini's circus strongman who too late realizes his love for the woman once in his care, he played the brute American audiences knew, but he also revealed a bottomless well of emotion as he baptized himself in the water of a quiet beach and sobbed uncontrollably as if there were no end to his grief.
Quinn played an aging bullfighter opposite Maureen O'Hara in Boetticher's "The Magnificent Matador" (1955) and then won his second Best Supporting Actor Academy Award for his portrayal of larger-than-life artist Paul Gaughin in "Lust for Life", the title an apt description of his own zestfulness. Finally, after 20 years in the business, he had become a full-fledged box-office star, and the next year would see him garner a Best Actor Oscar nomination for his turn opposite Anna Magnani in "Wild Is the Wind", as well as following in the prestigious footsteps of Lon Chaney and Charles Laughton as Quasimodo in "The Hunchback of Notre Dame". Quinn was splendid in Nicholas Ray's "The Savage Innocents", hunting and fishing Eskimo-style (though audiences avoided the film) and gave one of his best performances in "Requiem for a Heavyweight" (1962) as Mountain Rivera, the boxer who sacrifices his last ounce of self-respect to enter the professional wrestling ring, wearing an Indian war bonnet and waving a tomahawk in order to save his manager's life. He was also a standout as the opportunistic Bedouin Auda Abu Tayi in David Lean's "Lawrence of Arabia" (also 1962).
Although Quinn had portrayed with distinction Greek patriot Colonel Andrea Stavros in "The Guns of Navarone" (1961), that character paled before what would become his signature role. The very embodiment of the actor's passion for living, "Zorba the Greek" (1964) was a wise and aging peasant, totally committed to life, no matter the outcome. From his slapstick pursuit of aging French courtesan (Oscar-winner Lila Kedrova) to the pathos of cradling her as she died in his arms, Quinn pulled out all the emotional stops on his way to another Best Actor Oscar nomination. Nearly 20 years later, he reprised "Zorba!", this time in a 1983 revival of the Broadway musical which reunited him with both Kedrova and the film's writer-director Michael Cacoyannis. He earned a Tony nomination for his efforts before touring the USA from 1983-86, forever stamping the part as his in the minds of the theatergoing public. Pity the poor thespian toiling as Zorba in regional theater somewhere, the incredibly long shadow of Quinn haunting his every move. Pray that his audiences have never seen the movie, or have very poor memories, or at the very least are extremely forgiving.
Quinn's United Nations tour rolled on with roles as an Algerian peasant ("The Lost Command" 1966), a boozy Italian mayor ("The Secret of Santa Vittoria" 1969), and an outcast Indian ("Flap" 1970), among others, before he dabbled in series TV as the star of "The Man and the City" (ABC, 1971-72), playing the ruggedly independent mayor of a city in the Southwest. He weighed in with his Aristotle Onassis impersonation in "The Greek Tycoon" (1978) and later portrayed the shipping magnate's father in "The Richest Man in the World: The Aristotle Onassis Story" (ABC, 1988), for which he received an Emmy nomination. Few were the roles, however, that did justice to his overwhelming, mystic life force, and perhaps that's why he resorted to the otherworldly, assuming the guise of Zeus in five syndicated "Legends of Hercules" action-adventure movies in 1994.
Also Credited As:
Anthony Rudolph Oaxaca Quinn
Born:
on 04/21/1915 in Chihuahua, Mexico
Died:
03-JUN-01.
Job Titles:
Actor, Artist, Boxer, Director, Musician, Producer, Writer, Cement worker, Foreman (in a mattress factory), Fruit picker, Taxi driver
Family
Sister: Stella Quinn.
Son: Alex Quinn. mother is German woman with whom Quinn was involved; woman is also mother of Sean Quinn
Significant Others
Companion: . involved with a French woman with whom he had a son
Companion: . involved with a German woman with whom he had two sons, Alex and Sean
Wife: Iolanda Addolori. Italian; married in January 1966; met when she worked as a wardrobe asistant on the film "Barabbas" (1961), starring Quinn; separated in February 1995; reached settlement in their divorce in August 1997
Wife: Katherine Benvin. born c. 1962; mother of Antonia and Ryan Quinn; married on December 7, 1997 in Naples, Florida; resided with Quinn and their children in Bristol, Rhode Island
Education
Polytechnic High School, Los Angeles, California
Milestones
1936 Appeared as an extra in Leo McCarey's "The Milky Way", starring Harold Lloyd
1936 Feature acting debut, "Parole"
1936 Spoofed John Barrymore in stage production, "Clean Beds", starring Mae West
1937 First film with future father-in-law director Cecil DeMille, "The Plainsman"; played a Cheyenne Indian
1938 Played Beluche in DeMille's "The Buccaneer"
1939 Last association with DeMille as director, "Union Pacific"
1940 Cast as a heavy in first "road" movie, "The Road to Singapore", with Bob Hope, Bing Crosby and Dorothy Lamour
1941 Acted the part of Crazy Horse in Raoul Walsh's "They Died With Their Boots On", one of three films with that director
1941 First association with Budd Boetticher (who served as assistant director), "Blood and Sand"
1942 Reteamed with Hope, Crosby and Lamour for "The Road to Morocco"
1943 First film with director William Wellman, "The Ox-Bow Incident"
1944 Another turn as an Indian (Yellow Hand) in Wellman's "Buffalo Bill"
1945 Second-in-command (and of Filipino descent) to John Wayne in Edward Dmytryk's "Back to Bataan", third of four films with Dmytryk
1947 Broadway debut, "The Gentleman from Athens"
1948 Headlined a national tour of "A Streetcar Named Desire", playing Stanley Kowalski opposite Uta Hagen
1950 Assumed role of Stanley in Broadway production of "A Streetcar Named Desire"
1952 Won first Best Supporting Actor Oscar for "Viva Zapata!"
1953 Acted in three movies directed by Boetticher: "City Beneath the Sea", "Seminole" and "East of Sumatra"
1954 Played brutish strongman in Federico Fellini's "La Strada" (released in USA in 1956)
1955 First film opposite Sophia Loren, "Attila" (released in USA 1958)
1955 Reteamed with Boetticher as star of the "The Magnificent Matador"; fifth film with Maureen O'Hara but first starring opposite her
1956 Portrayed Paul Gaughin in "Lust for Life", snagging second Best Supporting Actor Academy Award
1957 Nominated for Best Actor Oscar for George Cukor's "Wild Is the Wind"; starred opposite Anna Magnani
1957 Played Quasimodo in the remake of "The Hunchback of Notre Dame"
1958 Directed first (and only) feature, the remake of "The Buccaneer", executive produced by DeMille
1959 Starred opposite Loren in "The Black Orchid"
1960 Gave remarkable performance as a native Eskimo in Nicholas Ray's "Savage Innocents"
1960 Returned to Broadway as Henry II in "Beckett"; later switched roles with Laurence Olivier, taking over the cleric's role; earned a Tony nomination for his efforts
1960 Third film with Loren, Cukor's "Heller in Pink Tights"
1961 First film with director J Lee Thompson, "The Guns of Navaronne", playing tough Greek patriot Colonel Andrea Stavros
1962 Acted the part of a used-up boxer in "Requiem for a Heavyweight"
1962 Portrayed opportunistic Bedouin Auda Abu Tayi in David Lean's "Lawrence of Arabia"
1962 Starred as "Barabbas"
1964 Associate produced (also acted in to considerable acclaim) first feature, "Zorba the Greek"; garnered an Oscar nomination as Best Actor; first film with Lila Kedrova
1965 Acted again with Kedrova in "A High Wind in Jamaica"
1966 Starred in Mark Robson's "Lost Command"
1968 Played Russian Pope Kiril Lakota in "The Shoes of the Fisherman", adapted form the Morris West novel; Olivier co-starred as fellow Russian, Premier Kamanev
1969 Acted with Magnani in Stanley Kramer's "The Secret of Santa Vittoria"
1969 Fourth of six movies with Irene Papas, "A Dream of Kings", starring as robust man trying to find money to take his ailing son to Greece
1970 Portrayed Indian outcast in Carol Reed's "Flap"
1971 Narrated Boetticher's documentary "Arruza"
1972 Executive produced first feature, "Across 110th Street" (also acted)
1977 Miniseries acting debut, "Franco Zefferelli's "Jesus of Nazareth" (NBC)
1978 Acted the part of Theo Tomasis (a thinly disguised Aristotle Onassis) in Thompson's "The Greek Tycoon"
1979 Reteamed a third time with Thompson as Basque guide of "The Passage"
1981 Again portrayed a Bedouin, this time battling Mussolini in "Lion of the Desert", sixth and last film with Papas
1982 First of eight major exhibitions of artwork (in Hawaii; included serigraphs, oil paintings and sculptures)
1983 Starred on Broadway in the stage musical "Zorba!", reuniting with Kedrova and the 1964 film's director Michael Cacoyannis
1985 Played himself in "Ingrid"
1988 Earned an Emmy nomination for "The Richest Man in the World: The Story of Aristotle Onassis"
1989 Starred as Antonio Stradavarius in "Stradivari", a family affair featuring sons Francesco, Danny and Larry
1990 Portrayed Santiago in NBC movie remake of "The Old Man and the Sea", based on the novel by Ernest Hemingway; children Valentina and Francesco also featured
1990 Profiled by Cinemax's "Crazy About the Movies" TV documentary series
1991 Acted opposite O'Hara in "Only the Lonely"
1991 Third film with Kedrova, "A Star for Two"
1994 Played Zeus in five syndicated "The Legendary Journeys of Hercules" action adventure movies (i.e., "Hercules in the Underworld", "Hercules and the Lost Kingdom")
1995 Portrayed gregarious patriarch Don Pedro in "A Walk in the Clouds"
1996 Appeared as 'Mr. Neil' Dellacroce in HBO's "Gotti"
As a teenager, played saxaphone in evangelist Aimee Semple McPherson's orchestra
Final screen appearance in "Avenging Angelo" (lensed 2001); released posthumously
Forced to support mother, grandmother and sister at age 11
Hosted episodes of "American Playwrights Theater" (A&E) series, starting with "The Rope"
Made TV acting debut performing on series such as "Ford Theater Hour" and "Philco TV Playhouse"
Spirited across the border to El Paso, Texas during the Pancho Villa revolution
Starred as the ruggedly independent mayor of a fast-growing city in the Southwest (filmed in Albuquerque, New Mexico) in "The Man and the City" (ABC)
Toured US cities as "Zorba!"
Was a featured performer on CBS dramatic anthology series "Danger"
While father was employed by Selig studios, almost thrust before the cameras at an early age but ran a fever, and the part instead went to a cousin
Filmography
Source : http://movies.yahoo.com/movie/contributor/1800012616/filmography
Actor Credits
Avenging Angelo (2002)
Fellini (2001)
Himself
From Russia to Hollywood: The 100-Year Odyssey of Chekhov and Shdanoff (1999)
Oriundi (1999)
Giuseppe Padovani
Gotti (1996)
"Mr Neil" Dellacroce
Il Sindaco (1996)
Antonio Barracano
Seven Servants (1996)
Old Man Archie
Somebody to Love (1996)
Emilio
A Walk in the Clouds (1995)
Don Pedro Aragon
The Last Action Hero (1993)
Tony Vivaldi
Jungle Fever (1991)
Lou Carbone
Mobsters (1991)
Don Masseria
Only the Lonely (1991)
Nick
A Star For Two (1991)
Ghosts Can't Do It (1990)
Scott
Revenge (1990)
Tibey
Stradivari (1989)
Antonio Stradivarius
A Man of Passion (1989)
Mauricio
Onassis - The Richest Man in the World (1988)
Ingrid (1985)
Himself
Regina (1983)
The Salamander (1983)
Bruno Manzini
Valentina (1982)
Mosen Joaquin
High Risk (1981)
Mariano
Lion of the Desert (1981)
Omar Mukhtar
The Passage (1979)
Basque
Caravans (1978)
Zulfigar
Los Hijos De Sanchez (1978)
The Children of Sanchez (1978)
Sanchez
The Con Artists (1978)
The Greek Tycoon (1978)
Theo Tomasis
Fatal Assassin (1976)
Target of an Assassin (1976)
The Inheritance (1976)
Gregorio Ferramonti
The Mohammad Messenger of God (1976)
Hamza
The Destructors (1974)
Steve Ventura
Deaf Smith and Johnny Ears (1973)
Erastus "Deaf" Smith
The Don Is Dead (1973)
Don Angelo
Across 110th Street (1972)
Captain Frank Mattelli
Arruza (1971)
The Rover (1971)
Peyrol
Flap (1970)
R.P.M. (1970)
Perez
A Walk in the Spring Rain (1970)
Will Cade
A Dream of Kings (1969)
Matsoukas
The Secret of Santa Vittoria (1969)
Italo Bombolini
Guns For San Sebastian (1968)
Alastray
The Magus (1968)
Maurice Conchis
The Shoes of the Fisherman (1968)
Pope Kiril Lakota
The Happening (1967)
Roc Delmonico
The Rover (1967)
The Lost Command (1966)
Colonel Pierre Raspeguy
Marco the Magnificent (1965)
Kublai Khan
A High Wind in Jamaica (1965)
Juan Chavez
Alive and Kicking (1964)
Villager
Behold a Pale Horse (1964)
Captain Vinolas
Zorba the Greek (1964)
Alexis Zorba
The Visit (1964)
Serge Miller
Barabbas (1962)
Barabbas
Lawrence of Arabia (1962)
Auda Abu Tayi
Requiem For a Heavyweight (1962)
Mountain Rivera
The Guns of Navarone (1961)
Andrea
The Savage Innocents (1961)
Inuk
Circle of Deception (1960)
Heller in Pink Tights (1960)
Tom Healy
Portrait in Black (1960)
Dr David Rivera
R.P.M. (1960)
Last Train From Gun Hill (1959)
Craig Belden
Warlock (1959)
Tom Morgan
The Black Orchid (1959)
Frank Valente
Attila (1958)
Attila the Hun
Hot Spell (1958)
Jack Duval
Wild Is the Wind (1957)
Gino
The Hunchback of Notre Dame (1957)
Quasimodo
The Ride Back (1957)
Kallen
The Rising of the Moon (1957)
Station Master
The River's Edge (1957)
Ben Cameron
Donne Proibite (1956)
La Strada (1956)
La Strada (1956)
Zampano
La Strada Special LV Edition (1956)
Lust for Life (1956)
Paul Gauguin
Man From Del Rio (1956)
The Last Man to Hang (1956)
The Wild Party (1956)
Seven Cities of Gold (1955)
Captain Portola
Ulysses (1955)
Antinous
The Beachcomber (1955)
Ship's Captain
The Magnificent Matador (1955)
Luis Santos
The Naked Street (1955)
Phil Regal
The Long Wait (1954)
Johnny McBride
Blowing Wild (1953)
Paco
City Beneath the Sea (1953)
Tony Bartlett
East of Sumatra (1953)
Kiang
Ride, Vaquero (1953)
Seminole (1953)
Osceola
The Switch (1938)
Blood and Sand (1922)
African Rage
Back to Top
Director Credits
The Buccaneer (1958)
Director
Back to Top
Producer Credits
Mystique (1981)
Executive Producer
Across 110th Street (1972)
Executive Producer
Zorba the Greek (1964)
Associate Producer
The Visit (1964)
Producer
Back to Top
--
Posted By vadis to rosta masta! at 4/03/2007 10:59:00 PM
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